Gry z percepcją. O strategiach kinestetycznego zaangażowania

Abstract

The article deals with choreographic strategies that challenge the dominance of visuality and interpretative in dance. The preoccupation of contemporary choreographers with the kinesthetic experience of the moving body and the mechanism of perception leads to new choreographic strategies aiming to make non-aesthetic and non-intellectual, and even non-visual areas of the spectacle experience accessible for a viewer. The author give examples of choreographic works that implement various strategies of perceptual engagement of the viewer, based on kinesthetic experiences and crossing the traditional audience-viewer relation that involves mainly visual access to movement. The kinesthetic experience became a subject matt er of dance performance, or is conceptualized, used as (conscious) mode of reception of the spectacle, or modified in the technological field.