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Emaus cum figuris 3: Grotowski – Rembrandt – Caravaggio

dc.contributor.authorKosiński, Dariusz
dc.date.accessioned2025-06-30T07:30:41Z
dc.date.available2025-06-30T07:30:41Z
dc.date.issued2025-06-30
dc.identifier.citationKosiński D., Emaus cum figuris 3: Grotowski – Rembrandt – Caravaggio, [w:] Relacyjność w kulturze i sztuce: Księga jubileuszowa Profesor Małgorzaty Leyko, Budzowska M., Michalik-Tomala J., Prykowska-Michalak K., Królikowska J. (red.), Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2025, s. 41-58, https://doi.org/10.18778/8331-744-1.03pl
dc.identifier.isbn978-83-8331-742-7
dc.identifier.urihttp://hdl.handle.net/11089/55782
dc.description.abstractThe article proposes a comparison between some famous iconographical repre-sentations of the Supper in Emaus (scene taken from the Gospel according to St. Luca) and the aesthetics of Jerzy Grotowski’s poor theatre, especially of his last theatre production, Apocalypsis cum figuris (1969). An investigation to discover some correspondences between the two is developed to suggest a deeper connec-tions between the liturgy established in Emaus and dramaturgical model of Gro-towski’s theatre.en
dc.language.isopl
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofBudzowska M., Michalik-Tomala J., Prykowska-Michalak K., Królikowska J. (red.), Relacyjność w kulturze i sztuce: Księga jubileuszowa Profesor Małgorzaty Leyko, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2025;pl
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.titleEmaus cum figuris 3: Grotowski – Rembrandt – Caravaggiopl
dc.title.alternativeEmaus cum figuris 3: Grotowski – Rembrandt – Caravaggioen
dc.typeBook chapter
dc.page.number41-58
dc.contributor.authorAffiliationUniwersytet Jagiellońskipl
dc.identifier.eisbn978-83-8331-744-1
dc.identifier.doi10.18778/8331-744-1.03


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