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dc.contributor.authorWeber, Eryk
dc.date.accessioned2024-05-08T10:42:48Z
dc.date.available2024-05-08T10:42:48Z
dc.date.issued2018-12-30
dc.identifier.citationWeber E., Świat ożywiony w filmie Avatar Jamesa Camerona — podmiotowy charakter fauny i flory, [w:] Motywy fauny i flory w literaturze i kulturze, Analecta Literackie i Językowe, t.IX, Kuran M. (red.), Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2018, s. 225-231, https://doi.org/10.18778/8142-192-8.17pl
dc.identifier.isbn978-83-8142-192-8
dc.identifier.urihttp://hdl.handle.net/11089/52100
dc.description.abstractThe work raises the problem of the subject in the non-human world. Based on the movie Avatar (dir. James Cameron, 2009) shows the potentional of understanding the subject in the world of plants and animals. The movie was used in the work as far-reaching metaphor of the world in which we live, or to maximize the specific attitudes and theories that we use in the our environment and science. This analysis was confronted with today’s level of subject understanding in our world and invites the readers to reflect on the status of other living creatures.en
dc.language.isopl
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofKuran M. (red.), Motywy fauny i flory w literaturze i kulturze, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2018;pl
dc.relation.ispartofseriesAnalecta Literackie i Językowepl
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.titleŚwiat ożywiony w filmie Avatar Jamesa Camerona — podmiotowy charakter fauny i florypl
dc.title.alternativeThe Revived World in the Movie Avatar by James Cameron — the Subjective Nature of Fauna and Floraen
dc.typeBook chapter
dc.page.number225-231
dc.contributor.authorAffiliationUniwersytet im. Adama Mickiewicza w Poznaniupl
dc.identifier.eisbn978-83-8142-193-5
dc.identifier.doi10.18778/8142-192-8.17
dc.relation.volumeIX


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