dc.contributor.author | Cao, Claudia | |
dc.contributor.editor | Deckert, Mikołaj | |
dc.contributor.editor | Kocot, Monika | |
dc.contributor.editor | Majdzińska-Koczorowicz, Aleksandra | |
dc.date.accessioned | 2021-10-26T08:31:23Z | |
dc.date.available | 2021-10-26T08:31:23Z | |
dc.date.issued | 2020 | |
dc.identifier.citation | Cao C., The Ending of Great Expectations According to South Park: A Science-Fictional Revisitation, [in:] Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Deckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Łódź University Press, Łódź 2020, pp. 265-278, doi: 10.18778/8220-191-8.18 | pl_PL |
dc.identifier.isbn | 978-83-8220-191-8 | |
dc.identifier.uri | http://hdl.handle.net/11089/39554 | |
dc.language.iso | en | pl_PL |
dc.publisher | Łódź University Press | pl_PL |
dc.relation.ispartof | Deckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Łódź University Press, Łódź 2020; | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | The Ending of Great Expectations According to South Park: A Science-Fictional Revisitation | pl_PL |
dc.type | Book chapter | pl_PL |
dc.page.number | 265-278 | pl_PL |
dc.contributor.authorAffiliation | University of Cagliari | pl_PL |
dc.identifier.eisbn | 978-83-8220-192-5 | |
dc.contributor.authorBiographicalnote | Claudia Cao received her PhD in Philological and Literary Studies at the University of Cagliari, where she worked on a project on the rewritings and adaptations of Great Expectations. She recently completed her Post-Doc Fellowship at the same university, in which she took part in a research group on “Sisters and sisterhood in literature and other arts”. Her publications include the books Le riscritture di Great Expectations. Sei letture del classico dickensiano [The Rewritings of Great Expectations. Six Readings of The Dickensian Classic] (Mimesis, 2016), and Sorellanze nella narrativa femminile inglese tra le due guerre [Sisterhood in British Women’s Fiction between The Wars] (Morellini, 2018). She also co-edited the volumes Sorelle e sorellanza nella letteratura e nelle arti [Sisters and Sisterhood in Literature and Other Arts] (Franco Cesati, 2017) and Maschere del tragico [Masks of The Tragic] on the open access international journal “Between” (www.betweenjournal.it), where she is editorial supervisor. | pl_PL |
dc.references | Bakhtin, Mikhail M. (2004). The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Austin: University of Texas Press. | pl_PL |
dc.references | Barthes, Roland (1973). S/Z. Torino: Einaudi. | pl_PL |
dc.references | Bolton, Philip H. (1987). Dickens Dramatized. Boston: G. K. Hall. | pl_PL |
dc.references | Brooks, Peter (1984). Reading for the Plot. Design and Intention in Narrative. New York: Knopf. | pl_PL |
dc.references | Cao, Claudia (2015). “The Fortune of Great Expectations from the Nineties to Today”. In: Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Eds. Simonetta Falchi, Greta Perletti and María Isabel Romero Ruiz. (109–127). Milano: FrancoAngeli. | pl_PL |
dc.references | Cao, Claudia (2016). Le riscritture di Great Expectations. Sei letture del classico dickensiano. Milano–Udine: Mimesis. | pl_PL |
dc.references | Corrigan, Timothy (1999). Film and Literature: An Introduction and Reader. Upper Saddle River: Prentice-Hall. | pl_PL |
dc.references | Cortellazzo, Sara, Dario Tommasi (1988). Letteratura e cinema. Roma–Bari: Laterza. | pl_PL |
dc.references | Dickens, Charles (1996). “Great Expectations”. In: Great Expectations. Complete Authoritative Text with Biographical and Historical Contexts, Critical History, and Essays from Five Contemporary Critical Perspectives. Ed. Janice Carlisle. Boston: Bedford Books of St. Martin’s Press. | pl_PL |
dc.references | Doležel, Lubomír (1999). Heterocosmica. Fiction e mondi possibili. Trans. M. Botto. Milano: Bompiani. | pl_PL |
dc.references | Dusi, Nicola (2003). Il cinema come traduzione. Da un medium all’altro: letteratura, cinema, pittura. Torino: Utet. | pl_PL |
dc.references | Dusi, Nicola (2010). “Translating, Adapting, Transposing”. Applied Semiotics 24: 82–94 [accessed Feb. 22, 2014]. | pl_PL |
dc.references | Eco, Umberto (2010). Dire quasi la stessa. Esperienze di traduzione. Milano: Bompiani. | pl_PL |
dc.references | Frye, Northrop (1968). “Dickens and the Comedy of the Humours”. In: Experience in the Novel. Selected Papers from the English Institute. Ed. Roy Harvey Pearce. (49–81). New York: Columbia University Press. | pl_PL |
dc.references | Fusillo, Massimo (2011). Feticci. Letteratura, cinema, arti visive. Bologna: Il Mulino. | pl_PL |
dc.references | Genette, Gerard (1980). Narrative Discourse: An Essay in Method. Ithaca: Cornell University Press. | pl_PL |
dc.references | Glavin, John (ed.) (2003). Dickens on Screen. Cambridge: Cambridge University Press. | pl_PL |
dc.references | Hammond, Mary (2015). Charles Dickens’s Great Expectations. A Cultural Life, 1860–2012. Farnham–Burlington: Ashgate. | pl_PL |
dc.references | Kozloff, Sarah (1988). Invisible Storytellers. Voice-over Narration in American Fiction Film. London: University of California Press. | pl_PL |
dc.references | Lotman, Jurij M. (1982). “Il cervello, il testo, la cultura, l’intelletto artificiale”. Intersezioni 2 (1): 5–16. | pl_PL |
dc.references | Marroni, Francesco (ed.) (2006). Great Expectations. Nel laboratorio di Charles Dickens. Roma: Aracne. | pl_PL |
dc.references | McCabe, Colin, Kathleen Murray, and Rick Warner (2011). True to the Spirit. Film Adaptation and the Question of Fidelity. Oxford: Oxford University Press. | pl_PL |
dc.references | McFarlane, Brian (2008). Screen Adaptations. Great Expectations: A Close Study of the Relationship Between Text and Film. London: Methuen. | pl_PL |
dc.references | Monti, Alessandro (1996). “Introduction”. Great Expectations. By Charles Dickens. (v–xxxiv). Milano: Mondadori. | pl_PL |
dc.references | “Pip” (2000). South Park. Created by Matt Stone and Trey Parker, performance by Malcolm McDowell. Season 4, episode 14. South Park Digital Studios, LLC, 2000. | pl_PL |
dc.references | Rosenberg, Edgar (ed.) (1999). Great Expectations. Authoritative Text. Backgrounds. Contexts. Criticism. New York: Norton and Company. | pl_PL |
dc.references | Sadrin, Anny (2010). Parentage and Inheritance in the Novels of Charles Dickens. Cambridge: Cambridge University Press. | pl_PL |
dc.references | Sconce, Jeffrey (2003). “Dickens, Selznick, and Southpark”. In: Dickens on Screen. Ed. John Glavin. (171–187). Cambridge: Cambridge University Press. | pl_PL |
dc.identifier.doi | 10.18778/8220-191-8.18 | |