Mixed Signals: How German Lieder, as Multimodal Texts, Present Particular Challenges for Translators

Wilson-deRoze, Karen

dc.contributor.author	Wilson-deRoze, Karen
dc.contributor.editor	Deckert, Mikołaj
dc.contributor.editor	Kocot, Monika
dc.contributor.editor	Majdzińska-Koczorowicz, Aleksandra
dc.date.accessioned	2021-10-25T15:47:55Z
dc.date.available	2021-10-25T15:47:55Z
dc.date.issued	2020
dc.identifier.citation	Wilson-deRoze K., Mixed Signals: How German Lieder, as Multimodal Texts, Present Particular Challenges for Translators, [in:] Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Deckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Łódź University Press, Łódź 2020, pp. 207-224, doi: 10.18778/8220-191-8.14	pl_PL
dc.identifier.isbn	978-83-8220-191-8
dc.identifier.uri	http://hdl.handle.net/11089/39545
dc.language.iso	en	pl_PL
dc.publisher	Łódź University Press	pl_PL
dc.relation.ispartof	Deckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Łódź University Press, Łódź 2020;
dc.rights	Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/	*
dc.title	Mixed Signals: How German Lieder, as Multimodal Texts, Present Particular Challenges for Translators	pl_PL
dc.type	Book chapter	pl_PL
dc.page.number	207-224	pl_PL
dc.contributor.authorAffiliation	Formerly University of Leicester	pl_PL
dc.identifier.eisbn	978-83-8220-192-5
dc.contributor.authorBiographicalnote	Karen Wilson-deRoze, PhD, translation scholar, submitted one of the first practice based PhD theses to the University of Leicester in December 2017. Its practical component is a singing translation of Die Walküre and Götterdämmerung from Wagner’s opera cycle the Ring of The Nibelungen. Its critical component demonstrates possible ways that a lyric can cooperate with music in creating meaning and examines how Wagner’s musico-poetic intersemiosis is recreated in her translation and those of three others. She contributed a chapter to Key Cultural Texts in Translation (2018), addressing the evidence of Wagner’s anti-Semitism in The Ring and whether translators have censored or adjusted Wagner’s language to suit contemporary tastes. In Opera and Translation. Unity and Diversity (2020) she explores musico-poetic intersemiosis within the context of Wagner’s theory of Versmelodie and the consequences for authentic performance when intermodal relationships are altered through translation.	pl_PL
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dc.identifier.doi	10.18778/8220-191-8.14