dc.contributor.author | Giżycki, Marcin | |
dc.contributor.editor | Deckert, Mikołaj | |
dc.contributor.editor | Kocot, Monika | |
dc.contributor.editor | Majdzińska-Koczorowicz, Aleksandra | |
dc.date.accessioned | 2021-10-25T14:21:37Z | |
dc.date.available | 2021-10-25T14:21:37Z | |
dc.date.issued | 2020 | |
dc.identifier.citation | Giżycki M., Bacon, Friedman, Themerson or How to Translate Anything to Anything, [in:] Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Deckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Łódź University Press, Łódź 2020, pp. 161-169, doi: 10.18778/8220-191-8.11 | pl_PL |
dc.identifier.isbn | 978-83-8220-191-8 | |
dc.identifier.uri | http://hdl.handle.net/11089/39542 | |
dc.language.iso | en | pl_PL |
dc.publisher | Łódź University Press | pl_PL |
dc.relation.ispartof | Deckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Łódź University Press, Łódź 2020; | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | Bacon, Friedman, Themerson or How to Translate Anything to Anything | pl_PL |
dc.type | Book chapter | pl_PL |
dc.page.number | 161-169 | pl_PL |
dc.contributor.authorAffiliation | Rhode Island School of Design, Providence | pl_PL |
dc.identifier.eisbn | 978-83-8220-192-5 | |
dc.contributor.authorBiographicalnote | Marcin Giżycki, Ph.D. – film and art historian, critic, filmmaker. Professor at Polish-Japanese Academy of Information Technology in Warsaw, Poland. Senior Lecturer at Rhode Island School of Design in Providence, RI. Artistic Director of “Animator” International Animated Film Festival in Poznan, Poland. He has published 8 books and around 400 articles on film and art in Polish and foreign publications. He has also made a number of documentary, live action, experimental, and animated films in Poland and the US. In 2016 he received the Award for the Outstanding Contribution to Animation Studies at Animafest, the World Festival of Animated Film in Zagreb, Croatia. | pl_PL |
dc.references | Bacon, Francis, John Blackbourne (1730). Francisci Baconi Baronis de Verulamio […] Opera omnia quatuor voluminibus comprehensa: hactenus edita, ad autographorum maxime fidem emendantur, nonnulla etiam, ex mss. codicibus deprompta, nunc primum prodeunt […]. Londini: Impensis R. Gosling, quoted after a reprinted version by Google Books: https://play.google.com/store/books/details?id=e2JUAAAAYAAJ&rdid=book-e2JUAAAAYAAJ&rdot=1 [accessed June 5, 2020]. | pl_PL |
dc.references | Forest M. Mims III. Converting Tree Rings into Music. https://www.youtube.com/watch?v=l2g3scrcg20 [accessed June 5, 2020]. | pl_PL |
dc.references | Forest M. Mims III. The Sound of the Sun’s Ultraviolet Rays During One Year (2011). https://www.youtube.com/watch?v=VsRCrh6XWog [accessed June 5, 2020]. | pl_PL |
dc.references | Friedman, William F., and Elizabeth S. Friedman (1957). The Shakespearean Ciphers Examined: An Analysis of Cryptographic Systems Used as Evidence that Some Author Other Than William Shakespeare Wrote the Plays Commonly Attributed to Him. Cambridge: Cambridge University Press. | pl_PL |
dc.references | Home, Stewart (1988). The Assault on Culture: Utopian Currents from Lettrism to Class War. London: Aporia Press and Unpopular Books. http://www.stewarthomesociety.org/ass/fluxone.htm [accessed June 5, 2020]. | pl_PL |
dc.references | Massey, Laura (2011). Knowledge is Power: Shakespeare, Bacon, & Modern Cryptography. www.peterharrington.blog [accessed June 5, 2020]. | pl_PL |
dc.references | Sherman, William H. (2010/11). “How to Make Anything Signify Anything”. Cabinet 40 (Winter). http://www.cabinetmagazine.org/issues/40/sherman.php [accessed June 5, 2020]. | pl_PL |
dc.references | Themerson, Stefan (1965). Bayamus and the Theater of Semantic Poetry. London: Gaberbocchus. | pl_PL |
dc.references | Themerson, Stefan (1983). The Urge to Create Visions. Amsterdam: Gaberbocchus + De Harmonie. Earlier the script was published in: Film as Film: Formal Experiment in film, 1910–1975. London: Hayward Gallery, 1979. | pl_PL |
dc.references | Themerson, Stefan (1988). Hobson’s Island. London–Boston: Faber and Faber. | pl_PL |
dc.references | Wadley, Nicolas. “Reading Stefan Themerson”. Context N°16. http://www.dalkeyarchive.com/reading-stefan-themerson/ [accessed June 5, 2020]. | pl_PL |
dc.identifier.doi | 10.18778/8220-191-8.11 | |