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dc.contributor.authorKocot, Monika
dc.contributor.editorDeckert, Mikołaj
dc.contributor.editorKocot, Monika
dc.contributor.editorMajdzińska-Koczorowicz, Aleksandra
dc.identifier.citationKocot M., From Broken Communication to the Technique of (Linguistic) Anamorphosis. Edwin Morgan’s Concrete Poetry, [in:] Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Deckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Łódź University Press, Łódź 2020, pp. 121-138, doi: 10.18778/8220-191-8.08pl_PL
dc.publisherŁódź University Presspl_PL
dc.relation.ispartofDeckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Łódź University Press, Łódź 2020;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.titleFrom Broken Communication to the Technique of (Linguistic) Anamorphosis. Edwin Morgan’s Concrete Poetrypl_PL
dc.typeBook chapterpl_PL
dc.contributor.authorAffiliationUniversity of Łódźpl_PL
dc.contributor.authorBiographicalnoteMonika Kocot, PhD, is Assistant Professor in the Department of British Literature and Culture at the University of Lodz, Poland. She is the author of Playing Games of Sense in Edwin Morgan’s Writing (Frankfurt am Main: Peter Lang, 2016) and co-editor of Języki (pop)kultury w literaturze, mediach i filmie [Languages of (Pop)Culture in Literature, Film, and Media] (Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 2015) and Nie tylko Ishiguro. Szkice o literaturze anglojęzycznej w Polsce [Not Only Ishiguro. Essays on Anglophone Literature in Poland] (Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 2019). She has published articles on contemporary Scottish poetry and prose, Native American writing, and comparative literature. She is a member of the Association for Cultural Studies, the Association for Scottish Literary Studies, Scottish Centre for Geopoetics, and Polish Cognitive Linguistics Association. She is the President of the K. K. Baczynski Literary Society.pl_PL
dc.referencesBell, Eleanor (2012). “Experimenting with the Verbivocovisual: Edwin Morgan’s Early Concrete Poetry”. Scottish Literary Review 4 (2): 105–121.pl_PL
dc.referencesBradham, Jo Allen (1987). “Baleful Greetings from Morgan’s ‘Christmas Card’”. College Literature 14.pl_PL
dc.referencesChambers, Ephraim (1728). Cyclopaedia, or an Universal Dictionary of Arts and Sciences. Vol 1. London. [accessed May 25, 2014].pl_PL
dc.referencesEdgecombe, Rodney Stenning (2003). Aspects of Form and Genre in the Poetry of Edwin Morgan. Amersham: Cambridge Scholars Press.pl_PL
dc.referencesHayman, David and Elliott Anderson (eds.) (1978). In the Wake of the Wake. Wisconsin: University of Wisconsin Press.pl_PL
dc.referencesHerbert, W. N. (1990). “Morgan’s Words”. In: About Edwin Morgan. Eds. Robert Crawford and Hamish Whyte. (65–74). Edinburgh: Edinburgh University Press.pl_PL
dc.referencesJohns, Jasper (1996). Writings, Sketchbook Notes, Interviews. Ed. Kirk Varnedoe. New York: Museum of Modern Arts / Harry N. Abrams.pl_PL
dc.referencesKilburn, David (1996). “Type is Honey”. Mermaid 35 (3) (Jan.): 9–11.pl_PL
dc.referencesKocot, Monika (2012). “From Anaphoresis to Metaphoresis. Scene-graphs in Edwin Morgan’s ‘Message Clear”. In: Texts and Minds. Papers in Cognitive Poetics and Rhetoric. Ed. Alina Kwiatkowska. (125–138). Frankfurt am Main: Peter Lang.pl_PL
dc.referencesKocot, Monika (2016a). “Dialogic Imagination: Edwin Morgan and Russian Modernism. Beyond Sense Through Laughter”. In: Scottish Culture: Dialogue and Self-Expression. Eds. Aniela Korzeniowska and Izabela Szymańska. (21–37). Warszawa: Semper.pl_PL
dc.referencesKocot, Monika (2016b). Playing Games of Sense in Edwin Morgan’s Writing. Frankfurt am Main: Peter Lang.pl_PL
dc.referencesMarkowski, Marek Paweł (1999). Pragnienie obecności. Filozofie reprezentacji od Platona do Kartezjusza. Gdańsk: słowo/ obraz terytoria.pl_PL
dc.referencesMarx, William (2004). Lesarrière gardes au XXe siècle. Paris: Presses Universitaires de France.pl_PL
dc.referencesMcGonigal, James (2012). Beyond the Last Dragon: A Life of Edwin Morgan. Dingwall: Sandstone Press Ltd.pl_PL
dc.referencesMorgan, Edwin (1974). Essays. Cheadle Hulme, Cheadle: Carcanet Press.pl_PL
dc.referencesMorgan, Edwin (1988). Themes on a Variation. Manchester: Carcanet.pl_PL
dc.referencesMorgan, Edwin (1990). Nothing Not Giving Messages: Reflections on Work and Life. Ed. Hamish Whyte. Edinburgh: Polygon.pl_PL
dc.referencesMorgan, Edwin (1996). Collected Poems. Manchester: Carcanet.pl_PL
dc.referencesNicholson, Colin (2002). Inventions of Modernity. Manchester: Manchester University Press.pl_PL
dc.referencesPerloff, Marjorie (2010). Unoriginal Genius: Poetry by Other Means in the New Century. Chicago: The University of Chicago Press.pl_PL
dc.referencesŚlósarska, Joanna (2005). “Mit i anamorfoza – dialog Ardżuny i Kriszny w Bhagawadgicie”. In: Mity, mitologie, mityzacje. Nie tylko w literaturze. Ed. Lidia Wiśniewska. (65–72). Bydgoszcz: Wyd. Uniwersytetu Kazimierza Wielkiego.pl_PL
dc.referencesSolt, Mary Ellen (1970). Concrete Poetry: A World View. Bloomington: Indiana University Press.pl_PL
dc.referencesTange, Hanne (2004). “In a World of Words: Edwin Morgan’s Multilingualism. Scottish Studies Review 5 (1): 87–100.pl_PL
dc.referencesYoung, Alan (1980). “Three ‘Neo-Moderns’: Ian Hamilton Finlay, Edwin Morgan, Christopher Middleton”. In: British Poetry Since 1970: A Critical Survey. Eds. Peter Jones and Michael Schmidt. (112–124). New York: Persea Books.pl_PL
dc.referencesŽižek, Slavoj (1992). Looking Awry: An Introduction to Jacques Lacan Through Popular Culture. Cambridge: MIT Press.pl_PL

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