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  • Multicultural Shakespeare: Translation, Appropriation and Performance
  • Multicultural Shakespeare: Translation, Appropriation and Performance (2020) vol. 22
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  • Multicultural Shakespeare: Translation, Appropriation and Performance (2020) vol. 22
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AuthorAebischer, Pascale (1)Baldwin Lind, Paula (1)Bassey, Alessandra (1)Bassi, Shaul (1)Georgopoulou, Xenia (1)Golemi, Marinela (1)Heijes, Coen (1)Hennessey, Katherine (1)Jiang, Qian (1)Kowalcze-Pawlik, Anna (1)... View MoreSubjectOthello (7)blackface (6)performance (3)Shakespeare (3)Blackface (2)adaptations (1)Ainu (1)Albania (1)Antara Ibn Shaddad (1)Arab blackface (1)... View MoreDate Issued2020 (12)Has File(s)Yes (12)

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The Moor’s Political Colour: Race and Othello in Poland 

Kowalcze-Pawlik, Anna (Wydawnictwo Uniwersytetu Łódzkiego, 2020-12-30)
This paper provides a brief outline of the reception history of Othello in Poland, focusing on the way the character of the Moor of Venice is constructed on the page, in the first-published nineteenth-century translation ...
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Black, White and Blue: Pregnancy and Unsettled Binaries in The Masque of Blackness (1605) 

Aebischer, Pascale; Sparey, Victoria (Wydawnictwo Uniwersytetu Łódzkiego, 2020-12-30)
This article examines the construction of national and racial identities within Ben Jonson’s and Inigo Jones’s Masque of Blackness against the backdrop of King James’ investment in creating a ‘British’ union at the start ...
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Othello in the Balkans: Performing Race Rhetoric on the Albanian Stage 

Golemi, Marinela (Wydawnictwo Uniwersytetu Łódzkiego, 2020-12-30)
This essay examines the racialized rhetoric in Fan Noli’s 1916 Othello translation and the racialized performance techniques employed in A.J. Ricko’s 1953 National Theatre of Albania production. Hoping to combat racial ...
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Othello-dor: Racialized Odor In and On Othello 

Steingass, Benjamin (Wydawnictwo Uniwersytetu Łódzkiego, 2020-12-30)
For Shakespearean scholars, the subject of scent in his work has remained relatively lukewarm to discussion. Shakespeare’s use of smell is not only equal to that of his other senses, but smell’s uniquely historical record ...
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Theatre Reviews 

Georgopoulou, Xenia (Wydawnictwo Uniwersytetu Łódzkiego, 2020-12-30)
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Introduction: Shakespeare, Blackface and Performance. A Global Perspective 

Heijes, Coen; Thompson, Ayanna (Wydawnictwo Uniwersytetu Łódzkiego, 2020-12-30)
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Book Reviews 

Li, Limin; Jiang, Qian (Wydawnictwo Uniwersytetu Łódzkiego, 2020-12-30)
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Interpreting Othello in the Arabian Gulf: Shakespeare in a Time of Blackface Controversies 

Hennessey, Katherine (Wydawnictwo Uniwersytetu Łódzkiego, 2020-12-30)
This article opens with some brief observations on the phenomenon of Arab blackface—that is, of Arab actors “blacking up” to impersonate black Arab or African characters—from classic cinematic portrayals of the warrior-poet ...
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Othello and the Ambivalences of Italian Blackface 

Bassi, Shaul; Scego, Igiaba (Wydawnictwo Uniwersytetu Łódzkiego, 2020-12-30)
Blackface is a cultural practice that appears ubiquitously in Italian history cutting across the political spectrum; it also lends itself to suprising anti-racist actions. This essay examines the use of blackface from the ...
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How Should You Perform and Watch Othello and Hairspray in a Country Where You Could Never Hire Black Actors? Shakespeare and Casting in Japan 

Sae, Kitamura (Wydawnictwo Uniwersytetu Łódzkiego, 2020-12-30)
This paper discusses how Japanese theatres have handled race in a country where hiring black actors to perform Shakespeare’s plays is not an option. In English-speaking regions, such as the United States and the United ...
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