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dc.contributor.authorUchman, Jadwiga
dc.date.accessioned2014-01-03T16:21:52Z
dc.date.available2014-01-03T16:21:52Z
dc.date.issued1998
dc.identifier.isbn83-7171-169-7
dc.identifier.urihttp://hdl.handle.net/11089/3046
dc.descriptionRozprawa habilitacyjna wykonana w Katedrze Literatury i Kultury Angielskiej Uniwersytetu Łódzkiegopl_PL
dc.description.abstractThe monograph discusses the drama of Tom Stoppard from the point of view of the importance of relativity theory introduced by Einstein which is used by the playwright in reference to perception, description and interpretation of both scientific phenomena (quantum mechanics, chaos theory) as well the reality of the world surrounding us and the people inhabiting it. Its main interest focuses on the possibility/impossibility of describing reality (be it fictitious or actual) by methods of scientific theories, language and different means of artistic representation.
dc.description.abstractKsiążka omawia relacje między rzeczywistością, iluzją i teatralnością z punktu widzenia zagadnień zarówno teatrologicznych jak i ontologicznych. Stoppard wykazuje znaczenie teorii relatywizmu wprowadzonej przez Einsteina nie tylko w sferze nauki, ale również kultury i w takich aspektach życia jak ograniczone możliwości jednoznacznego postrzegania otaczającej nas rzeczywistości, jej interpretacji i w pełni satysfakcjonującego artystycznego przedstawienia.
dc.language.isoenpl_PL
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesFolia Litteraria Anglica;
dc.subjectStoppard
dc.subjectrelativity
dc.subjectreality
dc.subjectillusion
dc.subjecttheatricality
dc.subjectrzeczywistość
dc.subjectiluzja
dc.subjectteatralność
dc.subjectrelatywizm
dc.titleReality, Illusion, Theatricality: A Study of Tom Stoppardpl_PL
dc.typeBookpl_PL
dc.contributor.authorAffiliationZakład Dramatu i Dawnej Literatury Angielskiej, Instytut Anglistyki Uniwersytetu Łódzkiego
dc.contributor.authorBiographicalnoteJadwiga Uchman graduated from the Institute of English Studies, University of Łódź, in 1973, having presented an M. A. thesis on "the comedies of menace" written by Harold Pinter. Since that time she has been working in the same Institute, the field of her academic specialisation being modern English drama. In 1982 she got her Ph. D., the subject of her thesis being the concept of time in the poetic plays of T. S. Eliot and Samuel Beckett. She has published a number of articles on Dylan Thomas, T. S. Eliot, Samuel Beckett and Tom Stoppard, a review of J. L. Styan's Elements of Drama and footnotes to an 1984 Polish edition of Macbeth. In 1987 she published a book entitled The Problem of Time in the Plays of Samuel Beckett.
dc.contributor.authorBiographicalnoteJadwiga Uchman graduated from the Institute of English Studies, University of Łódź, in 1973, having presented an M. A. thesis on "the comedies of menace" written by Harold Pinter. Since that time she has been working in the same Institute, the field of her academic specialisation being modern English drama. In 1982 she got her Ph. D., the subject of her thesis being the concept of time in the poetic plays of T. S. Eliot and Samuel Beckett. She has published a number of articles on Dylan Thomas, T. S. Eliot, Samuel Beckett and Tom Stoppard, a review of J. L. Styan's Elements of Drama and footnotes to an 1984 Polish edition of Macbeth. In 1987 she published a book entitled The Problem of Time in the Plays of Samuel Beckett.


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