Multicultural Shakespeare: Translation, Appropriation and Performance (2018) vol. 17
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Recent Submissions
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Theatre Reviews
(Lodz University Press, 2018-10-18) -
Book Reviews
(Lodz University Press, 2018-10-18) -
James L. Harner: In Memoriam
(Lodz University Press, 2018-10-18) -
Shakespeare’s Hamlet/Hamlet, Shakespeare 3.0, and Tugged Hamlet, The Comic Prince of The Polish Cabaret POTEM
(Lodz University Press, 2018-10-18)Shakespeare’s dramas are potentialities. Any Hamlet may be understood as the space in which Shakespeare’s thoughts are remembered, as a reproduced copy of the unspecified, unidentified source, the so called original. ... -
Grzegorz Wiśniewski’s Production of Richard III in Teatr Jaracza in Łódź—Textual Authority, the “Director’s Cut”, and Theatre Status
(Lodz University Press, 2018-10-18)Grzegorz Wiśniewski’s 2012 Richard III in Teatr Jaracza in Łódź was a very successful production with critics and audiences alike. At the 2012 Gdańsk Shakespeare Festival it won the Golden Yorick, a prestigious Polish award ... -
The Political Hamlet according to Jan Kott and Jerzy Grotowski
(Lodz University Press, 2018-10-18)The article presents political interpretations of Hamlet in Poland in the turbulent period of politcal changes between the mid-1950s and mid-1960s. The author discusses the relationships between Shakespeare’s tragedy and ... -
Performing Shakespeare’s Words: Textual Authority in Light of the Theory of Indeterminacy
(Lodz University Press, 2018-10-18)On the basis of Roman Ingarden’s conceptions of indeterminacy and concretization and the notion of spoken action, Jacek Mydla constructs the idea of textual authority in Shakespeare’s drama. The text is regarded as the ... -
Whose authority may I ask? Polish, English, German, Shakespearean or directorial? On the boundaries between ethnicity, nationality, religion and theatricality in Jan Klata’s Shakespearean productions
(Lodz University Press, 2018-10-18)Jan Klata is a director who has been labelled a provocateur and who is considered to hold nothing cultural or national sacred. From the beginning of his artistic career he is said to have challenged authorities: theatrical, ... -
Shakespeare, Authority and Hauntology: Postdramatic Performance in Walny Theatre’s Hamlet
(Lodz University Press, 2018-10-18)The aim of this article is to explore the potential of hauntological theories to explain and problematise selected aspects of authority and performance in the context of Shakespeare’s drama. Referring primarily to Derrida’s ... -
An Interview with W.B. Worthen
(Lodz University Press, 2018-10-18) -
From the Editor
(Lodz University Press, 2018-10-18)