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dc.contributor.authorSpyra, Piotr
dc.contributor.editorBłaszkiewicz, Maria
dc.contributor.editorNeubauer, Łukasz
dc.date.accessioned2017-06-19T09:49:56Z
dc.date.available2017-06-19T09:49:56Z
dc.date.issued2017
dc.identifier.citationSpyra, Piotr. "The Discourse of Fairyland in the Dream Vision of the Middle English Pearl." The Light of Life: Essays in Honour of Professor Barbara Kowalik. Ed. Maria Błaszkiewicz and Łukasz Neubauer. Kraków: LIBRON, 2017. 93-108.pl_PL
dc.identifier.isbn978-83-65705-30-3
dc.identifier.urihttp://hdl.handle.net/11089/21967
dc.description.abstractThe Middle English poem Pearl is a mixture of a number of genres. Opening like an elegy, with its initial stanzas heavily indebted to courtly love poetry, it proceeds towards a dream vision that launches into a theological debate concluded by an eschatological vision of the city of New Jerusalem. Pearl is obviously a religious poem, but, as Ad Putter has observed, the kind of religious and dreamscape imagery it contains, based on biblical sources, may also have influenced the writers of medieval romances such as Sir Orfeo or Thomas of Erceldoune in the construction of their secular otherworlds (2007: 237–41). The two romances in question are tales of fairy encounters, and the following article aims to identify major areas of convergence with the genre of fairy romance in Pearl.pl_PL
dc.language.isoenpl_PL
dc.publisherWydawnictwo LIBRONpl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectMiddle Englishpl_PL
dc.subjectPearlpl_PL
dc.subjectfairiespl_PL
dc.subjectSir Orfeopl_PL
dc.subjectpurgatorypl_PL
dc.subjectEdmund Leversedgepl_PL
dc.titleThe Discourse of Fairyland in the Dream Vision of the Middle English Pearlpl_PL
dc.typeBook chapterpl_PL
dc.rights.holderPiotr Spyrapl_PL
dc.page.number93-108pl_PL
dc.contributor.authorAffiliationUniversity of Łódźpl_PL
dc.contributor.authorBiographicalnotePiotr Spyra is Assistant Professor in the Department of Studies in Drama and Pre-1800 English Literature at the University of Łódź (Poland), where he teaches medieval and early modern English literature. He is the author of The Epistemological Perspective of the Pearl-Poet (2014). His research interests include Middle English poetry, medieval folklore, and Renaissance English drama.pl_PL
dc.referencesBennett, Michael J. “The Historical Background”. In: A Companion to the Gawain- Poet. Ed. Derek Brewer and Jonathan Gibson. Cambridge: D.S. Brewer, 2007, 71–90.pl_PL
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dc.referencesByrne, Aisling. Otherworlds: Fantasy & History in Medieval Literature. Oxford: Oxford University Press, 2016.pl_PL
dc.referencesCawley, Arthur Clare and John Julian Anderson (eds.). “Pearl”. In: Pearl, Cleanness, Patience, Sir Gawain and the Green Knight. London: Dent, 1976, 3–47.pl_PL
dc.referencesCooper, Helen. The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare. Oxford: Oxford University Press, 2004.pl_PL
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dc.referencesGardner, John. Introduction and Commentary. The Complete Works of the Gawain- Poet. Chicago: University of Chicago Press, 1975, 1–90.pl_PL
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dc.referencesPutter, Ad. “The Influence of Visions of the Otherworld on Some Medieval Romances”. In: Envisaging Heaven in the Middle Ages. Ed Carolyn Muessig and Ad Putter. London and New York: Routledge, 2007, 237–51.pl_PL
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dc.referencesWilby, Emma. The Visions of Isobel Gowdie: Magic, Witchcraft and Dark Shamanism in Seventeenth-Century Scotland. Brighton: Sussex Academic Press, 2010.pl_PL


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