RSS 1.0Multicultural Shakespeare: Translation, Appropriation and Performance (2007) vol. 4
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CONTENT
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Acknowledgements
Lawrence Gunter
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Contributors
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Shakespeare and Europe: History – Performance – Memory
Lawrence Guntner
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Shakespeare in History, History through Shakespeare: Caliban by the Yellow Sands
Monika Śmiałkowska
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Shakespeare at the Español: Franco and the Construction of a "National" Culture
Keith Gregor
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Shakespearean Histories and Greek History: Henry V and Richard II at the Greek National Theatre (1941, 1947)
Tina Krontiris
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History – Performance – Memory: Richard III and the Subversion of Theatre in Hungary, 1955
Veronika Schandl
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Shakespeare’s Histories and Polish History: Television Productions of Henry IV (1975), Richard III (1989) and Othello (1981/1984)
Jacek Fabiszak
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Richard III in Russian Theatre at the Twilight of the "Thaw"
Mark Sokolyansky
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"Done Like a Frenchman": Henry VI, the Tyranny of the Audience and Spect-Actorial Adaptations
Stuart Hampton-Reeves
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Between Transgression and Institutionalization: Teatro Comuna’s Measure for Measure
Francesca Rayner
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"Romanian" Shakespeare on the New York Stage: Andrei Serban’s Hamlet
Patricia Lennox
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"That Shakespearian Rome! Work in Progress..." An Experiment in Intermedial Criticism
Nancy Isenberg
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Irena R. Makaryk. Shakespeare in the Undiscovered Bourn. Les’ Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics. Toronto; Buffalo; London: University of Toronto Press, 2004
Mark Sokolynsky
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Foreign Accents: Brazilian Readings of Shakespeare, ed. Aimara da Cunha Resende, Newark and London: University of Delaware Press, 2002
Monika Sosnowska
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Uilyam Shekspir. Gamlet: V Poiskakh Podlinnika. Perevod, podgotovka teksta originala, kommentarii i vvodnaja statya I. V. Peshkova [Hamlet: In the search of identity. Translation, reconstruction of the original text, comments and introduction by I. V. Peshkov]. Moscow: Labirint-MP, 2003
Vladimir Vakhrushev
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EuroShakespace and the Witness-Function: Convergences of History, Memory, and Affective Presence
Bryan Reynolds
Foreword
Shakespeare and National Traditions
Political Shakespeare
Transformational Shakespeare
Book Reviews
Afterword
Najnowsze pozycje
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EuroShakespace and the Witness-Function: Convergences of History, Memory, and Affective Presence
(Lodz University Press, 2007) -
Uilyam Shekspir. Gamlet: V Poiskakh Podlinnika. Perevod, podgotovka teksta originala, kommentarii i vvodnaja statya I. V. Peshkova [Hamlet: In the search of identity. Translation, reconstruction of the original text, comments and introduction by I. V. Peshkov]. Moscow: Labirint-MP, 2003
(Lodz University Press, 2007) -
"That Shakespearian Rome! Work in Progress..." An Experiment in Intermedial Criticism
(Lodz University Press, 2007) -
"Romanian" Shakespeare on the New York Stage: Andrei Serban’s Hamlet
(Lodz University Press, 2007) -
Between Transgression and Institutionalization: Teatro Comuna’s Measure for Measure
(Lodz University Press, 2007) -
"Done Like a Frenchman": Henry VI, the Tyranny of the Audience and Spect-Actorial Adaptations
(Lodz University Press, 2007)In early modern theatre, there are many examples of audiences recognising themselves in performances that they watch. It is this recognition which creates comedy in A Midsummer Night’s Dream, when the young married ... -
Shakespearean Histories and Greek History: Henry V and Richard II at the Greek National Theatre (1941, 1947)
(Lodz University Press, 2007)Henry V and Richard II made their first and only appearance on the Greek stage in the turbulent 1940s. The first was performed in March 1941, just before the arrival of the German nazis, and the second in November 1947, ... -
Shakespeare in History, History through Shakespeare: Caliban by the Yellow Sands
(Lodz University Press, 2007)Percy MacKaye’s community masque, Caliban by the Yellow Sands, was performed in front of thousands of spectators between May 24th and June 5th, 1916 at New York Lewisohn Stadium, as part of American celebrations of the ... -
Shakespeare’s Histories and Polish History: Television Productions of Henry IV (1975), Richard III (1989) and Othello (1981/1984)
(Lodz University Press, 2007)The article discusses the reception and signification of select televisual productions of Shakespeare’s history plays on Polish television. My choice of teleplays has been determined by two factors: one the one hand, ... -
History – Performance – Memory: Richard III and the Subversion of Theatre in Hungary, 1955
(Lodz University Press, 2007)This paper looks at two Richard III production in Hungary, the latter of which has since achieved legendary status. Put on just before the 1956-revolution it was often reinterpreted as a revolutionary act, the best example ... -
Richard III in Russian Theatre at the Twilight of the "Thaw"
(Lodz University Press, 2007)Richard III was very rarely staged in Russian theatre in tsarist and Stalin’s times, because the story of inhuman tyranny provoked associations with Russian political reality. In the period of the so-called “Thaw” ... -
Shakespeare at the Español: Franco and the Construction of a "National" Culture
(Lodz University Press, 2007)The paper, which is part of a wide-ranging project concerned with the reception of Shakespeare in Spain, focuses on the early stages of the Franco dictatorship (the 1940s) and the place Shakespeare’s plays occupied in ... -
Shakespeare and Europe: History – Performance – Memory
(Lodz University Press, 2007)Shakespeare has been performed on European stages for over 400 years. English strolling players began coming to the Continent in the 1590s and brought with them Shakespeare´s dramas in abbreviated and adulterated forms. ...