| dc.contributor.author | Arrington, Lauren | |
| dc.date.accessioned | 2015-05-25T17:26:46Z | |
| dc.date.available | 2015-05-25T17:26:46Z | |
| dc.date.issued | 2014 | |
| dc.identifier.issn | 1505-9057 | |
| dc.identifier.uri | http://hdl.handle.net/11089/9139 | |
| dc.description.abstract | The article traces the lives of the daughter of the landed class in the West of Ireland, Constance Gore Booth and a son of a Polish aristocratic family, Casimir Markievicz. She, the future Irish revolutionary, he a painter and playwright, through marriage and fruitful collaboration, managed for a period of time to mingle politics and art as well as the political and historical experiences of the Polish and Irish nations. The article traces these mutual interconnections, by looking at a number of plays and paintings by Casimir Markievicz and by analyzing the political and social engagements carried out by Constance Gore Booth. In case of Markievicz and his plays the article interestingly shows how he was able to connect the contemporary, Ibsenian, form of what was then called “New Drama” with coded messages concerning the current politics and his own political views. What is more, Arrington carefully traces the elements of the thesis play and melodrama in his works, reconstructing from authentic reviews of the period the impact they made both on the reviewers and political commentators of the day. Additionally, the article not only paints an interesting picture of the literary Dublin of the inter-war period but also shows how Markievicz’s writing refers to and borrows from the canonical works of such playwrights as Synge, Yeats and Lady Gregory. | en |
| dc.language.iso | pl | pl_PL |
| dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
| dc.relation.ispartofseries | Acta Universitatis Lodziensis. Folia Litteraria Polonica;2 | |
| dc.subject | Irish drama | pl_PL |
| dc.subject | Celtic Revival | pl_PL |
| dc.subject | Casimir Markievicz | pl_PL |
| dc.subject | Constance Gore Booth | pl_PL |
| dc.title | Irlandzki dramat Casimira Markiewicza: anty-imperializm i awangarda w Dublinie | pl_PL |
| dc.title.alternative | Casimir Markievicz’s Irish Drama: anti-imperialism and the avant-garde in Dublin | pl_PL |
| dc.type | Article | pl_PL |
| dc.page.number | [63]-72 | pl_PL |
| dc.contributor.authorAffiliation | Uniwersytet w Liverpoolu, School of Histories, Languages and Cultures, Brownlow Hill, Liverpool, L69 7ZX. | pl_PL |
| dc.contributor.authorBiographicalnote | Lauren Arrington jest wykładowcą literatury irlandzkiej na Uniwersytecie w Liverpoolu. Opublikowała W.B. Yeats, the Abbey Theatre, Censorship and the Irish State: Adding the Half-Pence to the Pence (Oxford University Press, 2010). W 2015 roku ukaże się jej biografia poświęcona Constance i Casimirowi Markiewiczom (Revolutionary Lives: Constance and Casimir Markievicz, Princeton University Press). | pl_PL |
| dc.references | Firín, The Independent Dramatic Company at the Abbey: „The Memory of the Dead”, „Irish Nation and the Irish Peasant”, 23.04.1910, s. 1. | pl_PL |
| dc.references | Kelly M., Irish Nationalist Opinion and the British Empire in the 1850s and 1860s, „Past and Present” 2009, nr 204. | pl_PL |
| dc.references | Levitas B., Theatre of Nation: Irish Drama and Cultural Nationalism 1890–1916, Clarendon Press, Oxford 2002. | pl_PL |
| dc.references | MacWhite E., A Russian Pamphlet on Ireland by Count Markievicz, „Irish University Review” 1970, nr 1, s. 98–111. | pl_PL |
| dc.references | Markievicz C.D., The Memory of the Dead: a romantic drama of ’98 in three acts, The Tower Press, Dublin1910. | pl_PL |
| dc.references | Marshal G., Introduction, [w:] Cambridge Companion to the Fin de Siecle, red. G. Marshal, Cambridge University Press, 2007, s. 1–13. | pl_PL |
| dc.references | Précis of reports relative to secret societies (1911–1912), National Archives CO94/13. | pl_PL |
| dc.references | Yeats W.B., Cathleen, córka Houlihana, przeł. T.W. Brzozowski, [w:] W.B. Yeats, Dramaty, Świat Literacki, Warszawa 1994, s. 17–31. | pl_PL |
| dc.references | Garach, The Theatre of Ireland, „Sinn Féin”, 7.12.1907, s. 3. | pl_PL |
| dc.references | Count Markievicz’s New Play, „Irish Times”, 3.12.1908, s. 6. | pl_PL |
| dc.references | Cox J.H., Two New Plays, „Irish Independent”, 4.12.1908, s. 4. | pl_PL |
| dc.references | Cox J.H., A Problem Play, „Irish Independent”, 10.03.1908. | pl_PL |
| dc.references | M.J., The Theatre in Ireland, „Manchester Guardian”, 10.03.1908, s. 14. | pl_PL |
| dc.references | Stephens J., Count Markievicz’s Plays, „Sinn Féin”, 23.04.1910, s. 2. | pl_PL |
| dc.references | O’Kelly S., Lustre, red. B.G. Saul, „Éire-Ireland”, 1967, nr 2.4. | pl_PL |
| dc.contributor.authorEmail | L.Arrington@liverpool.ac.uk | pl_PL |
| dc.relation.volume | 24 | |
