dc.contributor.author | O’Keefe, Katherine | |
dc.date.accessioned | 2015-05-25T11:36:08Z | |
dc.date.available | 2015-05-25T11:36:08Z | |
dc.date.issued | 2014 | |
dc.identifier.issn | 1505-9057 | |
dc.identifier.uri | http://hdl.handle.net/11089/9101 | |
dc.description.abstract | A little more than century apart from each other, Oscar Wilde and Marina Carr each took clear inspiration from antiquity to write intensely symbolic drama for their times, featuring powerful female characters with fatal impulses. The article intends to examine resonances between Oscar Wilde’s Salome and The Duchess of Padua and the more recent dramas by Marina Carr. In their complex interactions of desire, guilt, evocations of blood sacrifice, and an impulse towards death, these plays may offer a possibility of transcendence. | en |
dc.language.iso | pl | pl_PL |
dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
dc.relation.ispartofseries | Acta Universitatis Lodziensis. Folia Litteraria Polonica;2 | |
dc.subject | Oscar Wilde | pl_PL |
dc.subject | Marina Carr | pl_PL |
dc.subject | Irish theatre | pl_PL |
dc.title | Sztuki pasyjne po irlandzku, czyli kobiety i śmierć u Oskara Wilde’a i Mariny Carr | pl_PL |
dc.title.alternative | Passion Plays: The Mortal Women of Oscar Wilde and Marina Carr | pl_PL |
dc.type | Article | pl_PL |
dc.page.number | [101]-111 | pl_PL |
dc.contributor.authorAffiliation | Dublin City University, St. Patrick’s College Drumcondra, Dublin 9. | pl_PL |
dc.contributor.authorBiographicalnote | Katherine O’Keefe specjalizuje się w literaturze i dramacie Anglii i Irlandii. W 2011 roku uzyskała tytuł doktora na University College Dublin. Obecnie wykłada na uniwersytecie St. Patrick’s College w Drumcondra. W 2012 roku wyróżniona została stypendium badawczym University of Columbia w Los Angeles. | pl_PL |
dc.contributor.authorEmail | katherine@keestone.net | pl_PL |
dc.relation.volume | 24 | |