Pokaż uproszczony rekord

Two ways of creating film tourism destinations: Case study of Sandomierz and Lodz (Poland)

dc.contributor.authorStasiak, Andrzej
dc.date.accessioned2026-11-09T16:42:41Z
dc.date.available2026-11-09T16:42:41Z
dc.date.issued2026
dc.identifier.citationStasiak, A. (2026). Two ways of creating film tourism destinations: Case study of Sandomierz and Lodz (Poland). Bulletin of Geography. Socio-economic Series, 74, 61-80. http://doi.org/10.12775/bgss-2026-0036pl_PL
dc.identifier.issn2083-8298
dc.identifier.urihttp://hdl.handle.net/11089/59631
dc.description.abstractThe aim of this paper is to identify the ways in which film tourism destinations emerge and the methods for making them more permanent. This study adopts a case-study approach. The author selected two Polish cities that are commonly associated with films: Sandomierz and Lodz (Łódź). One is an established film tourism destination, while the other is a potential, developing one. Together, they provide a strong example of various phenomena connected to film-inspired tourism. The analysis drew on a wide range of sources (academic papers, research reports, inquiries at film institutions, interviews with experts, field inspections, and observations). The obtained results allowed the author to formulate some general conclusions: 1. Film tourism destinations may emerge in a revolutionary or evolutionary way; 2. It is possible to plan the creation of a branded product of the given area based on the cinematographic heritage, also before the film premiere; 3. There are tools that may prevent the pre-term death of a film tourism destination; 4. Prolonging the life cycle is harder for ordinary shooting sets, but much easier for towns that have accumulated material and immaterial cinematographic heritage over years.pl_PL
dc.language.isoenpl_PL
dc.publisherNicolaus Copernicus University in Torun
dc.relation.ispartofseriesBulletin of Geography. Socio-economic Series
dc.subjectfilm tourismpl_PL
dc.subjectfilm-induced tourismpl_PL
dc.subjectmovie tourismpl_PL
dc.subjectfilm tourism destinationspl_PL
dc.subjecttourist product – areapl_PL
dc.subjectLodzpl_PL
dc.subjectSandomierzpl_PL
dc.titleTwo ways of creating film tourism destinations: Case study of Sandomierz and Lodz (Poland)pl_PL
dc.typeArticlepl_PL
dc.page.number61-80pl_PL
dc.contributor.authorAffiliationUniwersytet Łódzkipl_PL
dc.referencesAbd Rahman, N., Dawam, Z.A., & Chan, J.K.L. (2019). The characteristics of film products to induce tourism. Journal of Tourism, Hospitality and Environment Management, 4(16): 84–99. https://doi.org/10.35631/JTHEM.416007pl_PL
dc.referencesAteş, A., Sunar, H., & Şahin, M. (2024). How the film industry changes tourism? Akşehir Meslek Yüksekokulu Sosyal Bilimler Dergisi, 17: 1–14.pl_PL
dc.referencesBąkiewicz, J., Leask, A., Barron, P., & Rakić, T. (2022) Towards a visitor taxonomy at (film-induced) heritage attractions. Journal of Heritage Tourism, 17(3): 247–263. https://doi.org/10.1080/ 1743873X.2021.2002340pl_PL
dc.referencesBalcerak, M., Stachowiak, K., & Adamczak, M. (2024). Production culture, interpersonal relations, and the internationalization of filmmaking industry: The case of Indian film productions in Poland. In: Stachowiak, K., Janta, H., Kozina J., & Sunngren-Granlund, T. (eds.), Film and Place in an Intercultural Perspective India-Europe Film Connections. Milton Park, Abingdon: Routledge. https://doi.org/10.4324/9781003293347-12pl_PL
dc.referencesBeeton, S. (2004). Rural tourism in Australia – has the gaze altered? Tracking rural images through film and tourism promotion, International Journal of Tourism Research, 6(3): 125–135. https://doi.org/10.1002/jtr.479pl_PL
dc.referencesBeeton, S. (2005). Film-Induced Tourism. Clevedon: Channel View Publications.pl_PL
dc.referencesBeeton, S. (2008). From the screen to the field: The influence of film on tourism and recreation. Tourism Recreation Research, 33(1): 39–47. https://doi.org/10.1080/02508281.2008.11081288pl_PL
dc.referencesBencivenga, A., Chiarullo, L., & Colangelo, D. (2015). Film tourism in Basilicata. Almatourism – Journal of Tourism, Culture and Territorial Development, 6(4): 241–260. https://doi.org/10.6092/issn.2036-5195/4964pl_PL
dc.referencesBolan, P., & Kearney, M. (2017). Exploring film tourism potential in Ireland: from Game of Thrones to Star Wars. Revista Turismo e Desenvolvimento, 27/28(1): 2149–2156. Available at: http://uir.ulster.ac.uk/39428/1/Exploring%20Film%20tourism%20potential%20in%20Ireland.docxpl_PL
dc.referencesBuchmann, A., Moore, K., & Fisher, D. (2010). Experiencing film tourism. Authenticity & fellowship. Annals of Tourism Research, 37(1): 229–248. https://doi.org/10.1016/j.annals.2009.09.005pl_PL
dc.referencesBusby, G., & Klug, J. (2001). Movie-induced tourism: the challenge of measurement and other issues. Journal of Vacation Marketing, 7(4): 316–332. https://doi.org/10.1177/135676670100700403pl_PL
dc.referencesBusby, G., Ergul, M., & Eng, J. (2013). Film tourism and the lead actor: an exploratory study of the influence on destination image and branding. Anatolia: An International Journal of Tourism and Hospitality Research, 24(3): 395–404. https://doi.org/10.1080/13032917.2013.783874pl_PL
dc.referencesCabezuelo-Lorenzo, F., Miranda-Galbe, J., & Gutiérrez-Jiménez, B. (2020). La promoción turística de sicilia a través de la saga audiovisual de “El Comisario Montalbano” (The promotion of Sicily tourism through the audiovisual saga of “Commissario Montalbano” – in Spanish). Communication Papers. Media Literacy and Gender Studies, 9(19): 65-78. https://doi.org/10.33115/udg_bib/cp.v9i19.22502pl_PL
dc.referencesCantaş, A. (2025). Audience Sociology and Consumer Behavior in the Film Industry. Hershey: IGI Global Scientific Publishing.pl_PL
dc.referencesCarl, D., Kindon, S., & Smith, K. (2007). Tourists’ experiences of film locations: New Zealand as ‘Middle-Earth’. Tourism Geographies, 9(1): 49–63. https://doi.org/10.1080/14616680601092881pl_PL
dc.referencesCohen, J. (1986). Promotion of overseas tourism through media fiction. In: Joseph, W.B., Moutinho, L., & Vernon, W.B. (eds.), Tourism services marketing: advances in theory and practice. Special conference series, vol. II. Coral Gables: Academy of Marketing Science, University of Miami.pl_PL
dc.referencesConnell, J. (2012). Film tourism: Evolution, progress and prospects. Tourism Management, 33(5): 1007–1029. https://doi.org/10.1016/j.tourman.2012.02.008pl_PL
dc.referencesConnell, J., & Meyer, D. (2009). Balamory revisited: An evaluation of the screen tourism destinationtourist nexus. Tourism Management, 30(2): 194–207. https://doi.org/10.1016/j.tourman.2008.06.001pl_PL
dc.referencesCubitt, S. (2005). The Cinema Effect. Cambridge MA: MIT Press.pl_PL
dc.referencesCudny, W. (2011). Film festivals in Łódź as a main component of urban cultural tourism. Bulletin of Geography, Socio-economic Series, 15: 131–141. http://dx.doi.org/10.2478/v10089-011-0009-6pl_PL
dc.referencesCudny, W. (2014). The influence of the “Komisarz Alex” tv series on the development of Łódź (Poland) in the eyes of city inhabitants. Moravian Geographical Reports, 22(1): 33–43. https://doi.org/10.2478/mgr-2014-0004pl_PL
dc.referencesCudny, W., Sattar, S., & Barwiński, M. (2025). Sustainable urban development through creative film industries: From Hollyłodź to Bollywood. Sustainability (Switzerland), 17: 10256. https://doi.org/10.3390/su172210256pl_PL
dc.referencesD’Alessandro, L., Sommella, R., & Vigagnoni, L. (2015). Film-induced tourism, city-branding and place-based image: The cityscape of Naples between authenticity and conflicts. Almatourism – Journal of Tourism, Culture and Territorial Development, 6(4): 180–194. https://doi.org/10.6092/issn.2036-5195/4960pl_PL
dc.referencesDomínguez-Azcue, J., Almeida-García, F., Pérez- Tapia, G., & Cestino-González, E. (2021). Films and destinations – towards a film destination: A review. Information, 12(1): 39. https://doi.org/10.3390/info12010039pl_PL
dc.referencesDu, Y., Li, Y., Pan, B., & Zhang, Y. (2019). Lost in Thailand: A case study on the impact of a film on tourist behaviour. Journal of Vacation Marketing, 26(3): 365–377. https://doi.org/10.1177/1356766719886902pl_PL
dc.referencesFeagin, J.R., Orum, A.M., & Sjoberg, G. (Eds) (2020). A Case for the Case Study. Chapel Hill: The University of North Carolina Press.pl_PL
dc.referencesFaracik, R.. Kurek, W., Mika, M., & Pawlusiński, R. (2015). „Stare ” i „ nowe ” wartości w turystyce miejskiej. Zarys problematyki (“Old” and “new” values in urban tourism. Outline of the problem – in Polish). In: Trzepacz, P., Więcław-Michniewska, J., & Kołoś, A. (eds.), Miasto w badaniach geografów (The City in Geographers' Research – in Polish). Kraków: Instytut Geografii i Gospodarki Przestrzennej, Uniwersytet Jagielloński.pl_PL
dc.referencesFaracik, R. (2017). The historic town of Sandomierz as a tourist destination. Turyzm/Tourism, 27(2): 35–43. https://doi.org/10.1515/tour-2017-0011pl_PL
dc.referencesFrank, S. (2016). Dwelling-in-motion: Indian Bollywood tourists and their hosts in the Swiss Alps. Cultural Studies, 30(3): 506–531. https://doi.org/10.1080/09502386.2015.1113637pl_PL
dc.referencesGębarowski, M. (2012). City placement – istota zjawiska oraz znaczenie w działaniach promocyjnych polskich miast (City placement – the essence of the phenomenon and its significance in the promotional activities of Polish cities – in Polish). In: Gębarowski, M., Witek, L., & Zatwarnicka-Madura, B. (eds.), Marketing – aktualne problemy i kierunki ewolucji (Marketing – Current Issues and Trends – in Polish). Rzeszów: Oficyna Wydawnicza Politechniki Rzeszowskiej.pl_PL
dc.referencesGUS (2026). Demographic situation in Poland up to 2025. Available at: https://stat.gov.pl/obszary-tematyczne/ludnosc/ludnosc/powierzchnia-i-ludnosc-w-przekrojuterytorialnym-w-2026-r-,7,23.html (Accessed: 30 September 2026)pl_PL
dc.referencesGyimóthy, S. (2015). Bollywood-in-the-Alps: Popular culture place-making in tourism. In: Lorentzen, A., Topsøe Larsen, K., & Schrøder, L. (eds.), Spatial Dynamics in the Experience Economy. Routledge.pl_PL
dc.referencesHamzah, K., Aminuddin, N., Mustapha, N.A., & Ismail, M.N.I. (2016). Film-induced tourism: Young Malaysian traveller motivations to visit a destination. In: Radzi, S.M., Hanafiah, M.H.M., Sumarjan, N., Mohi, Z., Sukyadi, D., Suryadi, K., & Purnawarman, P. (eds.), Heritage, Culture and Society. Research agenda and best practices in the hospitality and tourism industry. London: CRC Press. https://doi.org/10.1201/9781315386980-81pl_PL
dc.referencesHeitmann, S. (2010). Film tourism planning and development – questioning the role of stakeholders and sustainability. Tourism and Hospitality Planning & Development, 7(1): 31–46. https://doi.org/10.1080/14790530903522606pl_PL
dc.referencesHudson, S., & Ritchie, J.R.B. (2006). Promoting destinations via film tourism: An empirical identification of supporting marketing initiatives, Journal of Travel Research, 44(4): 387–396. https://doi.org/10.1177/0047287506286720pl_PL
dc.referencesJi, Y., & Beeton, S. (2012). Is film tourism all the same? Exploring Zhang Yimou’s films’ potential influence on tourism in China. Tourism Review International, 15: 293–296. https://doi.org/10.3727/154427211X13216636845864pl_PL
dc.referencesJones, D., & Smith, K. (2005). Middle-earth meets New Zealand: authenticity and location in the making of the Lord of the Rings. Journal of Management Studies, 42(5): 923–945. https://doi.org/10.1111/j.1467-6486.2005.00527.xpl_PL
dc.referencesKaczmarek, J., Liszewski, S., & Włodarczyk, B. (2006). Strategia rozwoju turystyki w Łodzi (Tourism development strategy in Łódź – in Polish). Łódź: ŁTN.pl_PL
dc.referencesKaczmarek, J., Stasiak, A., & Włodarczyk, B. (2010). Produkt turystyczny. Pomysł, organizacja, zarządzanie (Tourist product. Idea, organization, management – in Polish). Warszawa: PWE.pl_PL
dc.referencesKim, S., Lee, H., & Chon, K. (2010). Segmentation of different types of Hallyu tourists using a multinomial model and its marketing implications. Journal of Hospitality and Tourism Research, 34(3): 341–363. https://doi.org/10.1177/1096348009350646pl_PL
dc.referencesKim, S., Kim, S., & King, B. (2019). Nostalgia film tourism and its potential for destination development. Journal of Travel & Tourism Marketing, 36(2): 236–252. https://doi.org/10.1080/10548408.2018.1527272pl_PL
dc.referencesKrakowiak, B., & Włodarczyk, B. (2009). „Dzień z Borowieckim” – projekt nowego produkt turystycznego Łodzi (“A Day with Borowiecki” – a project of a new tourist product of Łódź – in Polish). In: Stasiak, A. (ed.), Kultura i turystyka – razem, ale jak? (Culture and Tourism—Together, But How? – in Polish). Łódź: Wyd. WSTH w Łodzi.pl_PL
dc.referencesKronenberg, M. (2015). Turystyka filmowa w Łodzi: potencjał – produkt – perspektywy (Film tourism in Łódź: potential - product – perspectives – in Polish). In: Ciszewska, E., & Klejsa, K. (eds.), Kultura filmowa współczesnej Łodzi (Contemporary Film Culture in Łódź – in Polish). Łódź: Wyd. PWSFTviT.pl_PL
dc.referencesKronenberg, M. (2016). Potencjał turystyczny dziedzictwa filmowego w województwie łódzkim (The tourist potential of film heritage in the Łódź voivodeship – in Polish). Łódź: Centrum Inicjatyw na rzecz Rozwoju REGIO.pl_PL
dc.referencesKoumelis, T. (2018). 80 million international travellers influenced by films worldwide. Travel Daily News, 18.04.2018. Available online: https://www.traveldailynews.com/regional-news/80-million-international-travellers-influenced-byfilms-worldwide/ (Accessed: 30 September 2026)pl_PL
dc.referencesLeszczyński, M. (2014). Jak Ojciec Mateusz zachęca turystów do odwiedzenia Sandomierza (How does Father Matthew encourage tourists to visit Sandomierz? – in Polish). Infotezy, 4(1). Accessed: https://infotezy.ujk.edu.pl/wp-content/uploads/2020/12/LeszczynskiJak.htmlpl_PL
dc.referencesLi, SN., Li, H., Song, H., Lundberg, Ch., & Shen, S. (2017). The economic impact of on-screen tourism: The case of The Lord of the Rings and the Hobbit. Tourism Management, 60: 177–187. https://doi.org/10.1016/j.tourman.2016.11.023pl_PL
dc.referencesLijewski, T., Mikułowski, B., & Wyrzykowski, J. (2002). Geografia turystyki Polski (Geography of Tourism in Poland – in Polish). Warszawa: PWE.pl_PL
dc.referencesLiu, X., & Pratt, S. (2019). The downton abbey effect in film-induced tourism: An empirical examination of tv drama-induced tourism motivation at heritage attractions. Tourism Analysis, 24(4): 497–515(19). https://doi.org/10.3727/108354219X15652651367505pl_PL
dc.referencesLundberg, Ch., & Lindström, K.N. (2020). Sustainable management of popular culture tourism destinations: A critical evaluation of the Twilight saga servicescapes. Sustainability (Switzerland), 12: 5177. https://doi.org/10.3390/su12125177pl_PL
dc.referencesMacionis, N. (2004) Understanding the film-induced tourist. In: Frost, W., Croy, G., & Beeton, S. (eds.), International Tourism and Media Conference Proceedings, 24-26 November 2004. Melbourne: Tourism Research Unit, Monash Universitypl_PL
dc.referencesMacionis, N., & O’Connor, N. (2011). How can the film‐induced tourism phenomenon be sustainably managed? Worldwide Hospitality and Tourism Themes, 3(2): 173–178. https://doi.org/10.1108/17554211111123032pl_PL
dc.referencesMeredith, W., & Croy, W.G. (2015). Film tourism: Integrated strategic tourism and regional economic development planning. Tourism Analysis, 20(3): 313–326. https://doi.org/10.3727/108354215X14356694891898pl_PL
dc.referencesMoore, R.O. (2000). Savage Theory: Cinema as Modern Magic. Durham: Duke University Presspl_PL
dc.referencesNicosia, E. (2018). La Sicilia del Comisario Montalbano: De la narración literaria a la transposición televisiva, un caso exitoso (cine) turístico internacional. Polígonos (Inspector Montalbano’s Sicily: From literary narrative to television adaptation, an international (cinematic) tourism success story. Polígonos – in Spanish). Revista de Geografía, 30: 49–76. https://doi.org/10.18002/pol.v0i30.5645pl_PL
dc.referencesNCKF (2025). Narodowe Centrum Kultury Filmowej (The National Centre for Film Culture – in Polish). Available at: https://ec1lodz.pl/narodowe-centrum-kultury-filmowej/ (Accessed: 30 September 2026).pl_PL
dc.referencesOshriyeh, O., & Capriello, A. (2022). Film-induced tourism: A consumer perspective. In: Jaziri, D., Rather, R.A. (eds.), Contemporary Approaches Studying Customer Experience in Tourism Research. Emerald Publishing Limited. https://doi.org/10.1108/978-1-80117-632-320221022pl_PL
dc.referencesPodgórski, N. (2022). The Impact of Selected Film Productions on the Development of Film Tourism and the Tourism Attractiveness of the Region. Journal of Geography, Politics and Society, 12(3): 59–70. https://doi.org/10.26881/jpgs.2022.3.06pl_PL
dc.referencesPratt, S. (2015). The Borat effect: Film-induced tourism gone wrong. Tourism Economics, 21(5): 977–993. https://doi.org/10.5367/te.2014.0394pl_PL
dc.referencesProgram rozwoju turystyki w województwie łódzkim na lata 2007-2020 (2008). (Tourism development programme in the Łódź voivodeship for 2007- 2020 – in Polish) Łódź: Urząd Marszałkowski w Łodzi, PART S.A.pl_PL
dc.referencesRiley, R., & Van Doren, C. (1992). Movies as tourism promotion: a push factor in a pull location. Tourism Management, 13(3): 267–274. https://doi.org/10.1016/0261-5177(92)90098-Rpl_PL
dc.referencesRiley, R., Baker, D., & Van Doren, C. (1998). Movie induced tourism. Annals of Tourism Research, 25(4): 919–935.pl_PL
dc.referencesSchwandt, T., & Gates, E.F. (2017). Case Study Methodology. In: Denzin, N.K. & Lincoln, Y.S. (eds.), The SAGE Handbook of Qualitative Research, 5th edition. Thousand Oaks: SAGE Publishing.pl_PL
dc.referencesShani, A., Wang, S., Hudson, S., & Gil, S.M. (2009). Impacts of a historical film on the destination image of South America. Journal of Vacation Marketing, 15(3): 229–242. https://doi.org/10.1177/1356766709104269pl_PL
dc.referencesSikorski, D., & Wicher, J. (2021). Potencjalne destynacje turystyki filmowej w Polsce na podstawie analizy miejsc produkcji filmów i seriali (Potential film tourism destinations in Poland based on the analysis of film and series production sites – in Polish). Turystyka Kulturowa, 4: 7–27.pl_PL
dc.referencesSjoberg, G., Orum, A.M., & Feagin, J.R. (2020). A Tale of Two Cases. In: Feagin, J.R. Orum, A.M. & Sjoberg, G. (eds.), A Case for the Case Study. Chapel Hill: The University of North Carolina Press.pl_PL
dc.referencesSobocińska, M. (2018). City placement w kontekście pobudzania turystyki filmowej (City placement in the context of stimulating film tourism – in Polish). Prace Naukowe Uniwersytetu Ekonomicznego w Katowicach, Kierunki rozwoju innowacji w turystyce, 25–35.pl_PL
dc.referencesSousa, B., Malheiro, A., Liberato, D., & Liberato, P. (2021). Movie tourism and attracting new tourists in the post-pandemic period: A niche marketing perspective. In: de Carvalho, J.V., Rocha, A., Liberato, P., & Peña, A. (eds.), Advances in Tourism, Technology and Systems. ICOTTS 2020. Smart Innovation, Systems and Technologies, vol. 208. Singapore: Springer. https://doi.org/10.1007/978-981-33-4256-9_34pl_PL
dc.referencesStasiak, A. (2009). Turystyka literacka i filmowa (Literary and film tourism – in Polish). In: Buczkowska, K., & Mikos von Rohrscheidt, A. (eds.), Współczesne formy turystyki kulturowej (Contemporary forms of cultural tourism – in Polish). Poznań: AWF w Poznaniu.pl_PL
dc.referencesStasiak, A. (2015). Gastronomy as a tourism attraction for Łódź. Turyzm/Tourism, 25(2): 73–85. https://doi.org/10.1515/tour-2015-0007pl_PL
dc.referencesStasiak, A. (2021). Muzea filmowe w Polsce – oferta i zwiedzający (Film museums in Poland – the offer and visitors – in Polish). Annales UMCS, Sectio B, 76: 95–125. https://doi.org/10.17951/b.2021.76.0.95-125pl_PL
dc.referencesStasiak, A. (2022). Film tourism in Poland: potential and perspectives for development. Bulletin of Geography. Socio-economic Series, 58: 45–60. http://doi.org/10.12775/bgss-2022-0033pl_PL
dc.referencesStasiak, A., & Włodarczyk, B. (2003). Tourist product – place. Turyzm/Tourism, 13(1): 55–80. https://doi.org/10.18778/0867-5856.13.1.04pl_PL
dc.referencesSt-James, Y., Darveau, J., & Fortin, J. (2018). Immersion in film tourist experiences. Journal of Travel & Tourism Marketing, 35(3): 273–284. https://doi.org/10.1080/10548408.2017.1326362pl_PL
dc.referencesSzpara, K., & Musz, R. (2016). Turystyka filmowa w Sandomierzu (Film tourism in Sandomierz – in Polish). Prace Geograficzne, 145: 31–45. http://dx.doi.org/10.4467/20833113PG.16.011.5400pl_PL
dc.referencesŠegota, T. (2018). Creating (extra)ordinary heritage through film-induced tourism: The case of Dubrovnik and Game of Thrones. In: Palmer, C., & Tivers, J. (eds.), Creating Heritage for Tourism. London: Routledge. https://doi.org/10.4324/9780203701881-10pl_PL
dc.referencesTeng, H-Y. (2021). Can film tourism experience enhance tourist behavioural intentions? The role of tourist engagement. Current Issues in Tourism, 24(18): 2588-2601. https://doi.org/10.1080/13683500.2020.1852196pl_PL
dc.referencesTkalec, M., Zilic, I., & Recher, V. (2017). The effect of film industry on tourism: Game of Thrones and Dubrovnik. International Journal of Tourism Research, 19(6): 705-714. https://doi.org/10.1002/jtr.2142pl_PL
dc.referencesTorchin, L. (2002). Location, location, location. The destination of the Manhattan TV tour. Tourist Studies, 2(3): 247–266. https://doi.org/10.1177/14687976020023002pl_PL
dc.referencesTzanelli, R. (2004). Constructing the “cinematic tourist” – The “sign industry” of The Lord of the Rings. Tourist Studies, 4(1): 21–42. https://doi.org/10.1177/1468797604053077pl_PL
dc.referencesUczestnictwo mieszkańców Łodzi w kulturze filmowej (2017). (Participation of Łódź residents in film culture – in Polish) Raport Kantar Public.pl_PL
dc.referencesWinter, T. (2002). Angkor Wat meets Tomb Raider: setting the scene. Journal of Heritage Studies, 8(4): 323–336. https://doi.org/10.1080/1352725022000037218pl_PL
dc.referencesWorld of Father Matthew (2025). “The World of Father Matthew” exhibition: https://www.swiatojcamateusza.pl/ (Accessed: 30 September 2026)pl_PL
dc.referencesWright, D.W.M., Jarratt, D., & Halford, E. (2023). The Twilight Effect, post-film tourism and diversification: the future of Forks, WA. Journal of Tourism Futures, 9(2): 196–213. https://doi.org/10.1108/JTF-07-2020-0115pl_PL
dc.referencesYen, Ch-H., Tsaur, S-H., & Yen, H-H. (2025). Tourist engagement and subjective wellbeing in film tourism: Mediator of memorable tourism experience. Tourism and Hospitality Research, 25(4): 555–567. https://doi.org/10.1177/14673584241238576pl_PL
dc.referencesYoon, Y., Kim, S., & Kim, S. (2015). Successful and Unsuccessful Film Tourism Destinations: From the Perspective of Korean Local Residents’ Perceptions of Film Tourism Impacts. Tourism Analysis, 20(3): 297–311. https://doi.org/10.3727/108354215X14356694891852pl_PL
dc.referencesYoung, A.F., & Young, R. (2008). Measuring the Effects of Film and Television on Tourism to Screen Locations: a Theoretical and Empirical Perspective. Journal of Travel & Tourism Marketing, 24(2-3): 195–212. https://doi.org/10.1080/10548400802092742pl_PL
dc.referencesZawadzki, P. (2014). City placement – nowy trend w działaniach promocyjnych polskich miast (City placement – a new trend in promotional activities of Polish cities – in Polish). Prace Naukowe Uniwersytetu Ekonomicznego we Wrocławiu, 332: 131–139. https://www.ceeol.com/search/article-detail?id=259197pl_PL
dc.referencesZawiśliński, S., & Wijata, T. (2013). Fabryka snów (The Dream Factory – in Polish). Łódź: Wyd. Toya Sp. z o.o.pl_PL
dc.contributor.authorEmailandrzej.stasiak@geo.uni.lodz.plpl_PL
dc.relation.volume74pl_PL
dc.disciplinegeografia społeczno-ekonomiczna i gospodarka przestrzennapl_PL


Pliki tej pozycji

Thumbnail
Nazwa:
Stasiak – Two ways of creating ...
Rozmiar:
5.624MB
Format:
PDF
Oglądaj/Otwórz

Pozycja umieszczona jest w następujących kolekcjach

Pokaż uproszczony rekord