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dc.contributor.authorMatyńka, Anna
dc.date.accessioned2024-07-05T07:45:28Z
dc.date.available2024-07-05T07:45:28Z
dc.date.issued2024-06-29
dc.identifier.urihttp://hdl.handle.net/11089/52741
dc.description.abstractIn Sade’s thought we find two archetypes of woman: a virtuous woman, who is identified with the victim and vicious woman who is identified with the libertine. The virtuous woman has all the features of femininity’s construct — she is gentle, caring, and tries to protect her virginity at all costs. Sade despises all these features and his ideal of woman is prostitute. Sade especially disdained mothers and motherhood, because it is contrary to the laws of nature which desires only destruction, not reproduction. Libertines usually have ambivalent attitude towards their mothers — desire them and want to kill them at the same time. Also, the image of the mother in Sade’s works is not unambiguous — apart from virtuous mothers who are despised he described vicious mothers, who kill their infants. The second part of article is an attempt to defend the thesis that Sade’s works contain a feminist message. Above all, Sade wanted to liberate women from the construct of femininity, which dictates them virtue and modesty. For this reason women portrayed by him might seem masculine — because they lack features typically considered feminine. Therefore the vision of women in Sade’s work is emancipatory — both compared to his contemporaries and some of his interpreters.de
dc.description.abstractIn Sade’s thought we find two archetypes of woman: a virtuous woman, who is identified with the victim and vicious woman who is identified with the libertine. The virtuous woman has all the features of femininity’s construct — she is gentle, caring, and tries to protect her virginity at all costs. Sade despises all these features and his ideal of woman is prostitute. Sade especially disdained mothers and motherhood, because it is contrary to the laws of nature which desires only destruction, not reproduction. Libertines usually have ambivalent attitude towards their mothers — desire them and want to kill them at the same time. Also, the image of the mother in Sade’s works is not unambiguous — apart from virtuous mothers who are despised he described vicious mothers, who kill their infants. The second part of article is an attempt to defend the thesis that Sade’s works contain a feminist message. Above all, Sade wanted to liberate women from the construct of femininity, which dictates them virtue and modesty. For this reason women portrayed by him might seem masculine — because they lack features typically considered feminine. Therefore the vision of women in Sade’s work is emancipatory — both compared to his contemporaries and some of his interpreters.en
dc.description.abstractIn Sade’s thought we find two archetypes of woman: a virtuous woman, who is identified with the victim and vicious woman who is identified with the libertine. The virtuous woman has all the features of femininity’s construct — she is gentle, caring, and tries to protect her virginity at all costs. Sade despises all these features and his ideal of woman is prostitute. Sade especially disdained mothers and motherhood, because it is contrary to the laws of nature which desires only destruction, not reproduction. Libertines usually have ambivalent attitude towards their mothers — desire them and want to kill them at the same time. Also, the image of the mother in Sade’s works is not unambiguous — apart from virtuous mothers who are despised he described vicious mothers, who kill their infants. The second part of article is an attempt to defend the thesis that Sade’s works contain a feminist message. Above all, Sade wanted to liberate women from the construct of femininity, which dictates them virtue and modesty. For this reason women portrayed by him might seem masculine — because they lack features typically considered feminine. Therefore the vision of women in Sade’s work is emancipatory — both compared to his contemporaries and some of his interpreters.es
dc.description.abstractIn Sade’s thought we find two archetypes of woman: a virtuous woman, who is identified with the victim and vicious woman who is identified with the libertine. The virtuous woman has all the features of femininity’s construct — she is gentle, caring, and tries to protect her virginity at all costs. Sade despises all these features and his ideal of woman is prostitute. Sade especially disdained mothers and motherhood, because it is contrary to the laws of nature which desires only destruction, not reproduction. Libertines usually have ambivalent attitude towards their mothers — desire them and want to kill them at the same time. Also, the image of the mother in Sade’s works is not unambiguous — apart from virtuous mothers who are despised he described vicious mothers, who kill their infants. The second part of article is an attempt to defend the thesis that Sade’s works contain a feminist message. Above all, Sade wanted to liberate women from the construct of femininity, which dictates them virtue and modesty. For this reason women portrayed by him might seem masculine — because they lack features typically considered feminine. Therefore the vision of women in Sade’s work is emancipatory — both compared to his contemporaries and some of his interpreters.fr
dc.description.abstractW twórczości Sade’a spotkamy dwa archetypy kobiety: kobietę cnotliwą, utożsamianą z ofiarą oraz kobietę występną, utożsamianą z libertynką. Kobieta cnotliwa skupia w sobie wszystkie cechy tradycyjnie składające się na konstrukt kobiecości — jest łagodna, opiekuńcza, wstydliwa, stara się zachować swoje dziewictwo. Wszystkie te cechy są przez Sade’a pogardzane, zaś ideałem kobiety jest dla niego prostytutka. W swoich dziełach Sade ze szczególną pogardą odnosi się do matek i macierzyństwa, ponieważ stanowi ono zaprzeczenie praw natury, która pragnie jedynie destrukcji, nie rozmnażania. Libertyni zazwyczaj mają ambiwalentny stosunek do swoich matek — jednocześnie ich pożądają i pragną je zabić. Również sam wizerunek matki nie jest jednoznaczny — obok matek cnotliwych, będących obiektem pogardy, znajdziemy też matki występne, które niejednokrotnie uśmiercają swoje dzieci. Druga część artykułu jest próbą obronienia tezy, iż twórczość Sade’a niesie w sobie feministyczne przesłanie. Przede wszystkim de Sade chciał wyzwolenia kobiet od konstruktu kobiecości, który narzucał im cnotę i wstydliwość. Z tego powodu przedstawione przez niego postaci kobiet mogą wydawać się męskie — ponieważ nie mają cech typowo uznawanych za kobiece. Dlatego też wizja kobiet w dziełach Sade’a ma wymiar emancypacyjny, zarówno w porównaniu z twórczością współczesnych mu pisarzy jak i z poglądami wielu jego interpretatorów.pl
dc.description.abstractIn Sade’s thought we find two archetypes of woman: a virtuous woman, who is identified with the victim and vicious woman who is identified with the libertine. The virtuous woman has all the features of femininity’s construct — she is gentle, caring, and tries to protect her virginity at all costs. Sade despises all these features and his ideal of woman is prostitute. Sade especially disdained mothers and motherhood, because it is contrary to the laws of nature which desires only destruction, not reproduction. Libertines usually have ambivalent attitude towards their mothers — desire them and want to kill them at the same time. Also, the image of the mother in Sade’s works is not unambiguous — apart from virtuous mothers who are despised he described vicious mothers, who kill their infants. The second part of article is an attempt to defend the thesis that Sade’s works contain a feminist message. Above all, Sade wanted to liberate women from the construct of femininity, which dictates them virtue and modesty. For this reason women portrayed by him might seem masculine — because they lack features typically considered feminine. Therefore the vision of women in Sade’s work is emancipatory — both compared to his contemporaries and some of his interpreters.ru
dc.language.isopl
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesHybris;1en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectfeminityen
dc.subjectverginityen
dc.subjectmaternityen
dc.subjectfeminismen
dc.subjectmarquis de Sadeen
dc.subjectkobiecośćpl
dc.subjectdziewictwopl
dc.subjectmacierzyństwopl
dc.subjectfeminizmpl
dc.subjectMarkiz de Sadepl
dc.titleKobiety i kobiecość w twórczości Sade'apl
dc.title.alternativeWomen and Femininity in D.A.F. de Sade’s Thoughtde
dc.title.alternativeWomen and Femininity in D.A.F. de Sade’s Thoughten
dc.title.alternativeWomen and Femininity in D.A.F. de Sade’s Thoughtes
dc.title.alternativeWomen and Femininity in D.A.F. de Sade’s Thoughtfr
dc.title.alternativeWomen and Femininity in D.A.F. de Sade’s Thoughtru
dc.typeArticle
dc.page.number1-15
dc.contributor.authorAffiliationUniwersytet Warszawskipl
dc.identifier.eissn1689-4286
dc.referencesBanasiak, B. (2020). Integralna potworność. Markiz de Sade. Filozofia libertynizmu, czyli konsekwencje śmierci Boga. Kraków: Vis-a vis etiuda.pl
dc.referencesde Boyer, J.-B. (1996). Thérèse philosophe. W: R. Darnton, The forbidden best-sellers of pre-revolutionary France (249–299). Nowy Jork, Londyn: W.W. Norton & Company.pl
dc.referencesDworkin, A. (1989). Pornography — men possessing women. Nowy Jork: Penguin Books Ltd.pl
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dc.referencesKlossowski, P. (1992). Sade mój bliźni. Przeł. B. Banasiak, K. Matuszewski. Warszawa: Spacja.pl
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dc.referencesPhillips, J. (2005). The Marquis de Sade. A very short introduction. Nowy Jork: Oxford University Press Inc.pl
dc.referencesPhillips, J. (2001). Sade. The libertine novels. Londyn: Pluto Press.pl
dc.referencesRiviere, M.S. (2003). Philosophical Liberty, Sexual licence: The Ambiguity of Voltaire’s Libertinage. W: P. Cryle, L. O’Connell (red.), Libertine Enlightenment: Sex Liberty and Licence in the Eighteenth Century (75–91). Londyn: Palgrave Macmillan London.pl
dc.referencesde Sade, D.A.F. (1998). Filozofia w buduarze. Przeł. M. Skrzypek. Kielce: Szumacher.pl
dc.referencesde Sade, D.A.F. (2020). Julietta. Powodzenie występku. Przeł. B. Banasiak, K. Matuszewski. Kraków: Vis-a vis etiuda.pl
dc.referencesde Sade, D.A.F. (1997). Julietta. Przeł. B. Banasiak, K. Matuszewski. Warszawa: Spacja.pl
dc.referencesde Sade, D.A.F. (1996). 120 dni Sodomy. Przeł. B. Banasiak, K. Matuszewski. Warszawa: Spacja.pl
dc.referencesde Sade, D.A.F. (1987). Justyna, czyli nieszczęścia cnoty. Przeł. M. Bratuń. Łódź: Łódzkie.pl
dc.referencesde Sade, D.A.F. (2023). Nowa Justyna. Orgie u Gernande’a. Tom V. Przeł. K. Matuszewski. Kraków: Ostrogi.pl
dc.referencesSkrzypek, M. (1998). Libertyński podręcznik wychowania seksualnego w duchu absolutnego immoralizmu. W: D.A.F. de Sade, Filozofia w buduarze (5–17). Przeł. M. Skrzypek. Kielce: Szumacher.pl
dc.contributor.authorEmailmatynka96@gmail.com
dc.identifier.doi10.18778/1689-4286.62.01
dc.relation.volume62


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