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dc.contributor.authorShiloh, Ilana
dc.date.accessioned2024-01-03T09:42:23Z
dc.date.available2024-01-03T09:42:23Z
dc.date.issued2023-12-21
dc.identifier.issn1731-7533
dc.identifier.urihttp://hdl.handle.net/11089/49018
dc.description.abstractThe paper explores the use and impact of conceptual metaphors in the graphic novel City of Glass published by Paul Auster as a free-standing story in 1985. Two years later Auster turned it into the first part of The New York Trilogy, which has since become one of the most iconic works of postmodern fiction. Artists Paul Karasik and David Mazzucchelli have adapted Auster’s novella into a graphic novel and their version figures on the list of the best comic books in the 20th century. The aim of this paper is to examine how the two artists’ use of conceptual metaphors has elicited the visual dimension of Auster’s novel, conveyed its philosophical ideas and enriched its emotional effect.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesResearch in Language;1en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectconceptual metaphorsen
dc.subjectvisual dimensionen
dc.subjectgraphic novelen
dc.subjectcomicsen
dc.titleConceptual Metaphors in Visual Language The Graphic Novel City of Glassen
dc.typeArticle
dc.page.number43-60
dc.contributor.authorAffiliationThe Academic Center of Law and Business, Ramat Ganen
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dc.referencesKuhlman, Martha. 2004. The Poetics of the Page: City of Glass, the graphic novel. Indy Magazine, spring 2004. http://www.indyworld.com/indy/spring_2004/kuhlman_poetics/index.htmlen
dc.referencesLakoff, George. 2009. The Neural Theory of Metaphor. http://dx.doi.org/10.2139/ssrn.1437794en
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dc.contributor.authorEmaililana.shiloh@gmail.com
dc.identifier.doi10.18778/1731-7533.21.1.03
dc.relation.volume21


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