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dc.contributor.authorOrłowski, Robert
dc.contributor.editorPospíšil, Ivo
dc.contributor.editorZatora, Anna
dc.date.accessioned2023-09-14T06:22:51Z
dc.date.available2023-09-14T06:22:51Z
dc.date.issued2023
dc.identifier.issn0084-4446
dc.identifier.urihttp://hdl.handle.net/11089/47916
dc.description.abstractThe following article is an analysis of the events in the 1950s that influenced American playwright Arthur Miller to write the play The Crucible. Miller, known for his negative attitude to the activities of Senator Joseph McCarthy and other conservative politicians, decided to metaphorically depict the horror of the second “red scare,” its impact on society and the mechanisms of power behind the hunt, using the witch trials that took place in the town of Salem in 1692. Necessary for understanding Miller’s drama is the essence of the American political scene at the time and the goals that were to be achieved by causing the panic. The article focuses on the similarities between the historical phenomenon that was the witch hunts and the era of McCarthyism. In addition, it addresses the impact of McCarthy’s activities on the issue of women’s rights and the common denominator linking the “red scare” and the hunts themselves — their misogynistic nature. The article also seeks to provide insight into the way in which both Miller’s drama and the events of the 1950s sought to create an enemy that could be helpful in managing society and its fears. Miller’s drama and the post-war history of the US are examined through the lens of Adam Curtis’ documentaries and Mark Fisher’s theory of hauntology.pl_PL
dc.language.isoplpl_PL
dc.publisherŁódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesZagadnienia Rodzajów Literackich;1
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectwitchespl_PL
dc.subjectSalempl_PL
dc.subjectArthur Millerpl_PL
dc.subjectplaypl_PL
dc.subjecthauntologypl_PL
dc.subjectpoliticspl_PL
dc.subjectwitch-huntspl_PL
dc.subjectMcCarthyismpl_PL
dc.titleWidma Salem. Czarownice z Salem Arthura Millera jako metafora amerykańskiej polityki lat 50. XX wiekupl_PL
dc.title.alternativeSpectres of Salem. Arthur Miller’s The Crucible as a Metaphor for American Politics in the 1950s.pl_PL
dc.typeArticlepl_PL
dc.page.number369-378pl_PL
dc.contributor.authorAffiliationAbsolwent Państwowej Wyższej Szkoły Techniczno-Ekonomicznej w Jarosławiupl_PL
dc.identifier.eissn2451-0335
dc.referencesAdams Gretchen (2003), The Spectre of Salem in American Culture, „OAH Magazine of History” nr 17.pl_PL
dc.referencesBerwiński Ryszard (1853), Studia o literaturze ludowej, nakładem autora, Poznań.pl_PL
dc.referencesDebord Guy (2006), Społeczeństwo Spektaklu oraz Rozważania o społeczeństwie spektaklu, przeł. M. Kwaterko, Państwowy Instytut Wydawniczy, Warszawa.pl_PL
dc.referencesCurtis Adam (2004) [film], The Power of Nightmares. Part 1: „Baby It’s Cold Outside”, British Broadcasting Company, Londyn.pl_PL
dc.referencesCurtis Adam (2009) [film], It Felt like a Kiss, British Broadcasting Company, Londyn.pl_PL
dc.referencesFederici Sylvia (2004), Caliban and the Witch, Autonomedia, Nowy Jork.pl_PL
dc.referencesHerbert Zbigniew (1962), Barbarzyńca w ogrodzie, Spółdzielnia Wydawnicza Czytelnik, Warszawa.pl_PL
dc.referencesKomar Michał (1980), Czarownice i inni, Wydawnictwo Literackie, Kraków.pl_PL
dc.referencesMacFarlane Allan (1970), Witchcraft in Tudor and Stuart England, Routledge, Londyn.pl_PL
dc.referencesMiller Arthur (1953), The Crucible, Penguin Books, Nowy Jork.pl_PL
dc.referencesMorgan Edmund (2008), Arthur Miller’s The Crucible and the Salem Witch Trials: A Historian’s View [w:] Arthur Miller’s the Crucible, red. H. Bloom, Infobase Publishing, Nowy Jork.pl_PL
dc.referencesSchiff Stacy (2015), The Witches, Salem, 1692. A History, Little, Brown and Company, Boston.pl_PL
dc.referencesSchrecken Ellen (2003), Many are the Crimes: McCarthyism in America, Little, Brown and Company, Boston.pl_PL
dc.referencesStorrs Landon (2007), Attacking the Washington „Femmocracy”: Antifeminism in the Cold War Campaign against Communists in Government, „Feminist Studies” nr 33.pl_PL
dc.referencesTalbot David (2015), Devil’s Chessboard: Allen Dulles, the CIA and the Rise of America’s Secret Government, HarperCollins, Nowy Jork.pl_PL
dc.referencesŽižek Slavoj (2009), First as Tragedy, Then as Farce, Verso Books, Londyn.pl_PL
dc.identifier.doi10.26485/ZRL/2023/66.1/26
dc.relation.volume66pl_PL
dc.disciplineliteraturoznawstwopl_PL
dc.disciplinenauki socjologicznepl_PL


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