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Tadeusz Kantor's  texts  are great  example  of  critical way  of  thinking. The  artist  said
about himself as a heretic and rebel. His criticism way Kantor showed expecially in The
Milano Lessons. 
On  the  one  hand,  Kantor  was  against  post−modern  ideas  of  art.  (expecially
conceptual art and open work of art). On the another hand he created his own positive
conception. In 1986 he reminded constructivism and created himself as a constructivist.
In Kantor's writings  it  is apparent  − his  revolt was against  "official vanguard"  (as he
called this phenomenon) which took place in the second half of XX−th century. He had
opponent and he also had an ally. Kantor created his own authorities and set himself as a
successor of constructivism.   
Kantor's criticism  is  interesting, because he was using not only negation, but he
was building tradition and authorities. His rebellion was focused on reminding tradition.
He called himself as a constructivist and that's why he was heretic and rebel. Kantor's
criticism was build in the positive way − by creation another, opposite discourse. 
 Anyway,  he  did  it  in  his  texts. This was  opposite  to  the  contemporary  of  him
conception  of  art, which  joined  theory  and work  of  art.  In Kantor's work  there was
strong and clear border. It is also important for us today − we can only read his texts and
it is apparent that Kantor criticized not only artistic ideas but also wider − he thought
about contemporary and future culture.
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