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dc.contributor.authorWiniecka, Elżbieta
dc.date.accessioned2023-02-10T10:06:46Z
dc.date.available2023-02-10T10:06:46Z
dc.date.issued2011
dc.identifier.issn0084-4446
dc.identifier.urihttp://hdl.handle.net/11089/45880
dc.description.abstractDistance is the category which appears to be one of the cultural universals in the modern reflection on the subjectivity and representation. Its position is connected with analytical approach to the subject, with cognition and being an observer not a participant. They are determinants of the critical philosophy and self−consciousness. But, on the other hand, this very catch−all word relates to alienation, separation, otherness, isolation, non−identity, strangeness, withdraw, which make the definition of distance difficult and non−evident. In the present article the proposal of defining distance requires to put it in the context of philosophical, esthetical and theoretical problems of modernity and postmodernity. It shows up, that distance is the term polysemous and non−obvious and this is what makes it one of key issues for contemporary culture.pl_PL
dc.language.isoplpl_PL
dc.publisherŁódzkie Towarzystwo Naukowepl_PL
dc.relation.ispartofseriesZagadnienia Rodzajów Literackich;2
dc.subjectdistancepl_PL
dc.subjectFigure of Modernitypl_PL
dc.subjectpostmodernitypl_PL
dc.titleDystans - figura nowoczesnościpl_PL
dc.title.alternativeDistance − the Figure of Modernitypl_PL
dc.typeArticlepl_PL
dc.page.number35-61pl_PL
dc.identifier.eissn2451-0335
dc.relation.volume54pl_PL
dc.disciplinefilozofiapl_PL
dc.disciplinenauki o kulturze i religiipl_PL


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