Streszczenie
The  paper  challenges  the  common  view  within  the  history  of  Polish  literature  that schematically places women’s poetry outside modernism and avant-garde. The authoress employs the concept of neo-avant-garde to characterize the so-far omitted poetic projects by  women,  dismissed  to  date  as  marginal  or  “quasi-avant-garde”.  In  the  article,  she demonstrates ways in which Julia Fiedorczuk’s intellectual, self-reflexive and experimental poetry draws upon and refashions the avant-garde tradition.