dc.contributor.author | Żaglewski, Tomasz | |
dc.date.accessioned | 2022-10-12T11:25:35Z | |
dc.date.available | 2022-10-12T11:25:35Z | |
dc.date.issued | 2018 | |
dc.identifier.issn | 0084-4446 | |
dc.identifier.issn | 2451-0335 | |
dc.identifier.uri | http://hdl.handle.net/11089/43668 | |
dc.description.abstract | The article is an attempt to understand the need to develop methodological and theoretical tools for defining and underlining the meaning of a comic book’s material quality. Assuming that the modern tactile and sensual aspects of a physical manifestation of the comic book medium are becoming one of its most important specifics, then the author, is trying to explore the scientific consequences of a turn towards focusing on the “materialistic” inside the comic book industry. With full understanding of that matter then a starting point for a discussion can be made about the more general offensive of printed publications against ongoing virtualization, or de-materialization of written texts. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.publisher | Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
dc.relation.ispartofseries | Zagadnienia Rodzajów Literackich;1 | |
dc.subject | comic book | pl_PL |
dc.subject | graphic novel | pl_PL |
dc.subject | materiality | pl_PL |
dc.subject | medium | pl_PL |
dc.subject | tactile | pl_PL |
dc.subject | sensuality | pl_PL |
dc.title | Od edycji limitowanej do galeryjnej. Wstęp do „materialnej” teorii komiksu | pl_PL |
dc.title.alternative | From a Limited Edition to a Gallery Edition. An Introduction to a “Material” Theory of Comic Books | pl_PL |
dc.type | Article | pl_PL |
dc.page.number | 127-139 | pl_PL |
dc.contributor.authorAffiliation | Uniwersytet im. Adama Mickiewicza, Zakład Badań nad Kulturą Filmową i Audiowizualną Instytutu Kulturoznawstwa | pl_PL |
dc.references | Bukatman Scott (2016), Hellboy’s World. Comics and Monsters on the Margins, University of California Press, Oakland. | pl_PL |
dc.references | Genette Gerard (1997), Paratexts. Thresholds of Interpretation, Cambridge UP, Cambridge. | pl_PL |
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dc.references | Hatfield Charles (2005), Alternative Comics: An Emerging Literature, University Press of Mississippi, Jackson. | pl_PL |
dc.references | McCloud Scott (2015), Zrozumieć komiks, przeł. M. Błażejczyk, Kultura Gniewu, Warszawa. | pl_PL |
dc.references | McLuhan Marshall (2004), Zrozumieć media. Przedłużenia człowieka, przeł. N. Szczucka, Wydawnictwa Naukowo Techniczne, Warszawa. | pl_PL |
dc.references | Rogers Mark (2012), Political Economy: Manipulating Demand and “The Death of Superman” [in:] Critical Approaches to Comics. Theories and Methods, eds. M.J. Smith, R. Duncan, Routledge, New York. | pl_PL |
dc.references | Stein Daniel (2016), „Mummified Objects”: Superhero Comics in the Digital Age, „Journal of Graphic Novels and Comics”, no. 7 (3). | pl_PL |
dc.identifier.doi | 10.26485/ZRL/2018/61.1/9 | |
dc.relation.volume | 61 | pl_PL |
dc.discipline | literaturoznawstwo | pl_PL |