Now showing items 1521-1540 of 1925

    • Emigracyjna epistolografia (1945-1989). Rekonesans 

      Osiński, Jakub (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2018)
      The article is devoted to Polish emigrants’ correspondence after the Second World War. The author indicates the lack of research on emigration epistolography although emigration letters are successively published. ...
    • Narcyzm, obraz, disco polo 

      Wojtyna, Miłosz (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2018)
      The article traces the affinities between cultural narcissism on the one hand and the representation of individual and collective identities in visual media on the other. By referring to a body of research on narcissism, ...
    • Misery Lit - A Recent Fad or a Genre with Long-standing Traditions? 

      Szmigiero, Katarzyna (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2018)
      Misery literature is frequently perceived as a new genre, which emerged in the United States in the 1990s. It is usually defined as autobiographical non-fiction dealing with a traumatic childhood and life’s adversities yet ...
    • Przechwycenia estetyzacji — Zofia Kulik Ogród (Libera i kwiaty) 

      Kałuża, Anna (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2018)
      The aim of the article is to discuss the work of Zofia Kulik Garden (Libera and flowers) in the context of artistic detournement. Kulik, playing a game with the aesthetic principles of presenting masculine and feminine ...
    • Natalia LL jako artystka neoawangardowa 

      Świeściak, Alina (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2018)
      The paper shows Natalia Lach-Lachowicz (Natalia LL) as a neo avant-garde artist whose works in a specific maximalistic way are very close to the main currents of avant-garde trends: newmediality (photograph), minimalism, ...
    • Kobieta walcząca o pozycję w polu produkcji artystycznej Samoidentyfikacja, samoorganizacja i samoemancypacja według Ewy Partum 

      Załuski, Tomasz (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2018)
      Ewa Partum’s conceptual art of the early 1970s consisted in creating a new artistic language but at the same time it bore some traits of feminism and was marked by the figure of what might be called “the touch of a woman”. ...
    • Manifesty cyborgów: awangardowa wizja fuzji kobiety z maszyną (Hannah Höch — Giannina Censi — Mina Harker) 

      Marcela, Mikołaj (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2018)
      In Cyborg Manifesto Donna Haraway writes: “cyborgs (…) make very problematic the statuses of man or woman, human, artefact, member of a race, individual entity, or body”. This paper returns to the very beginning of ...
    • Metafictional potentiality of detective fiction and the metaphysical detective stories 

      Izdebska, Agnieszka (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2020)
      The article examines metatextual devices appearing within texts whose genre affiliation — the implementation of the detective novel convention — is unarguable. Such use of selfreferential strategies is juxtaposed with their ...
    • Hiszpański romans rycerski w sieci 

      Setkowicz, Katarzyna (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2020)
      In 16th-century Spain, the romances of chivalry were one of the pillars of the publishing industry. Today, however, they remain little known to both the general public and literary researchers who rediscovered them just a ...
    • Granice dwóch światów w felietonach Josepha Rotha 

      Szkoła, Dawid (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2020)
      Joseph Roth blurred the border between journalism and literature in his feuilletons. In this article I want to show the motif of international borders in his printed texts in the press. They were written in the 1920s, just ...
    • Gender (według) Georgii O’Keeffe: (cudzy) obraz a (własne) słowo artystki 

      Frelik, Edyta (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2018)
      The article focuses on the history of gendered and sexually oriented readings of Georgia O’Keeffe’s art and her surprisingly trenchant, wry and witty responses to skewed and biased interpretations of her paintings of ...
    • Awangarda płodna i bezpłodna 

      Baron-Milian, Marta (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2018)
      The article traces historical discourses of the avant-garde from the perspective of models of gender roles, starting with the analysis of the most radical Futurist ideas of the role of women. The crucial point is the ...
    • Awangardowe wyzwania teorii feministycznych 

      Szopa, Katarzyna (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2018)
      The article discusses the question of political implications of French feminist theories, also known as feminist avant-garde. Referring to the strategic re-reading of the concept French Feminism by Christine Delphy, it is ...
    • Męstwo Brunona Jasieńskiego. Polityka płciowa w ZSRR a proza socrealistyczna 

      Pfeifer, Kasper (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2018)
      This article is devoted to the strategies of creations of masculinity used in the novel Bravery (pol. Męstwo) written by Bruno Jasieński. The article analyzes the ways in which patriarchate is presented in post-revolutionary ...
    • Poezja cybernetyczna 

      Majewska, Roksana (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2018)
    • Transfikcjonalność w literaturze 

      Olkusz, Ksenia (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2018)
    • W cieniu prywatnej Apokalipsy. Subiektywizacja czasu i narracji w filmie Trzecia część nocy Andrzeja Żuławskiego 

      Kasprzak, Marta (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2020)
      The article focuses on the construction of time and narration in The Third Part of the Night directed by Andrzej Żuławski. By reffering to Gilles Deleuze’s film theory and Mirosław Przylipiak’s typology of subjectivization ...
    • Across the Boundaries of Signs and Media: On Transgeneric Qualities of Selected Contemporary Fiction 

      Lutostański, Bartosz (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2020)
      The following article construes the novel as a genre and explores how the innovations of utilizing multiple semiotic resources and media platforms are transforming it these days. With Marisha Pessl’s Night Film (2013) as ...
    • Literatura — film — teatr. Praktyki intermedialne w spektaklach biograficznych. Studium przypadku 

      Popczyk-Szczęsna, Beata (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2020)
      The starting point of these considerations in the form of a case study are two issues: intermediality as a distinguishing mark of contemporary hybrid art forms and numerous references to famous films in the latest Polish ...
    • Materiały do "Słownika rodzajów literackich" 

      Ostrowski, Witold; Štěpán, Ludvík (Łódzkie Towarzystwo Naukowe, 2001)