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dc.contributor.authorMichalski, Przemysław
dc.date.accessioned2019-04-17T15:25:09Z
dc.date.available2019-04-17T15:25:09Z
dc.date.issued2018
dc.identifier.issn1505-9057
dc.identifier.urihttp://hdl.handle.net/11089/27834
dc.description.abstractThis article deals with the question of the so-called Bovarism in The Awakening, the famous novel written by Kate Chopin. When it was first published in 1899, it was universally condemned for its alleged obscenity, just like its French predecessor. It is true, however, that unlike Flaubert’s book, The Awakening did not find itself in the dock, faced with charges of immorality, but the hostile reviews condemned the novel to many decades of obscurity. In this article, I try to return to the question of parallels between the two novels, which can be seen on many levels. Some similarities concern both male and female characters, while others are to do with specific narrative decisions and solutions. The most conspicuous example of the latter is the suicidal death of both heroines.en_GB
dc.language.isoplpl_PL
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesActa Universitatis Lodziensis. Folia Litteraria Polonica; 3
dc.rightsThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.pl_PL
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0pl_PL
dc.subjectChopinen_GB
dc.subjectFlauberten_GB
dc.subjectbovarismen_GB
dc.subjectnovelen_GB
dc.subjectawakeningen_GB
dc.subjectsuicideen_GB
dc.title„Przebudzenie” Kate Chopin, czyli „amerykańska Bovary”(?)pl_PL
dc.title.alternativeIs Kate Chopin’s „The Awakening” the American „Madame Bovary”?en_GB
dc.typeArticlepl_PL
dc.page.number239-254
dc.contributor.authorAffiliationUniwersytet Pedagogiczny im. KEN w Krakowie, Instytut Neofilologii, ul. Podchorążych 2, 30-084 Kraków
dc.identifier.eissn2353-1908
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dc.contributor.authorEmailprzemyslaw.michalski@up.krakow.pl
dc.identifier.doi10.18778/1505-9057.49.13
dc.relation.volume49pl_PL


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