Pokaż uproszczony rekord

dc.contributor.authorKonert-Panek, Monikaen
dc.date.accessioned2018-04-03T11:45:21Z
dc.date.available2018-04-03T11:45:21Z
dc.date.issued2018-02-06en
dc.identifier.issn1731-7533en
dc.identifier.urihttp://hdl.handle.net/11089/24383
dc.description.abstractThe paper addresses the problem of overshoot involved in singing accent stylisation. Selected phonetic features indexed as “American” and “Cockney” are analysed in the singing and speaking styles of a British vocalist, Adele. Overshoot, understood as a greater frequency or an exaggerated quality of a given feature, is characteristic of staged performance (Bell and Gibson 2011; Coupland 2007). PRAAT is used to establish the acoustic properties (F1 and F2) of the BATH and TRAP vowels, as well as the presence or absence of the BATH-TRAP split. The results show that Americanisation regarding the BATH-TRAP split in singing is present and the Americanised vowel tokens are “overshot”, having higher F2 frequency compared with the regular British TRAP vowel.en
dc.publisherWydawnictwo Uniwersytetu Łódzkiegoen
dc.relation.ispartofseriesResearch in Language;15en
dc.rightsThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.en
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0en
dc.subjectovershooten
dc.subjectsinging accenten
dc.subjectstaged performanceen
dc.subjectstylisationen
dc.subjectthe BATH-TRAP spliten
dc.titleOvershooting Americanisation. Accent stylisation in pop singing – acoustic properties of the bath and trap vowels in focusen
dc.page.number371-384en
dc.contributor.authorAffiliationUniversity of Warsaw, Warsaw, Polanden
dc.identifier.eissn2083-4616
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dc.contributor.authorEmailm.konert@uw.edu.plen
dc.identifier.doi10.1515/rela-2017-0021en


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