Przeglądaj Acta Universitatis Lodziensis. Folia Litteraria Polonica T. 15 (2012) nr 1 według tytułu
Wyświetlanie pozycji 1-20 z 22
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Amuzja Witkacego
(Primum Verbum, 2012)Witkacy suffered from amusia as a child and as an adult person. He was seriously interested in music only for little longer than twenty years (1890-1914?). He wrote his main works as amusic. The relation between amusia ... -
Brahms i Rachmaninow Iwaszkiewicza
(Primum Verbum, 2012)The poetry of Jarosław Iwaszkiewicz includes various - and unique in the 20th century Polish literature – references to actual musical compositions. Johannes Brahms and Sergei Rachmaninoff are among the composers, whose ... -
Danse moriendi. O muzyczno-tanatologicznych aspektach późnej twórczości lirycznej Jarosława Marka Rymkiewicza
(Primum Verbum, 2012)The sketch shows relations of the late poetry of Jarosław Marek Rymkiewicz with a music and the topic of death. Poet articulates a belief that transverbal property of music deepens and extends the ability of poetry to ... -
Dynamika jako element muzyki w poezji XX wieku (na przykładzie wybranych wierszy Stanisława Barańczaka)
(Primum Verbum, 2012)My text is treating about the dynamics as an element of music, which is possible to be found also in the poetic texts. It’s the new and creative theory, so all examples are very subjective and their meaning is understood ... -
Estrada i liryka. Szlagier w poezji międzywojennej
(Primum Verbum, 2012)In the essay the author enquires into the references to popular song in the lyric poetry of the first decades of 20th century, treating the birth of the popular music as the beginning of perceiving a hit single as the ... -
Franz Liszt i jego muzyka fortepianowa w ujęciu Jarosława Iwaszkiewicza oraz Pawła Kubisza
(Primum Verbum, 2012)Franz Liszt is one of the greatest artists of the 19th century. He has attended the most important artistic and social events providing comments on their literature and musical aspects. In his articles published in ... -
Gurami mozaikowy dyryguje Beethovenem. Oniryczny panfikcjonalizm Scen łóżkowych Adama Wiedemanna
(Primum Verbum, 2012)The paper discusses musicality of Sceny łóżkowe (Bedtime scenes) by Adam Wiedemann understood as the constructive and topical dominant of the book. The writer’s ‘dream diary’ (including a ‘testimonio’ notation of dreams ... -
Jesienny deszcz — jesienny płacz. Między muzyką a poezją (Verlaine i Staff)
(Primum Verbum, 2012)At its beginnings poetry was always connected with music. In Ancient Greece poetry was not only sung, but also danced. Later, the arts separated. However, in Romanticism music became once more a very important notion for ... -
Muzyczna nowoczesność. O Pamiętniku Tadeusza Jaroszyńskiego
(Primum Verbum, 2012)The article is devoted to analyzing the vision of Modernity and modern life in Tadeusz Jaroszyński’s short story The Gramophone. The fear of gramophone is an obsession of the main character of the text; it also serves ... -
Muzyczne komponenty dramatu mimicznego Skrzypek Opętany Bolesława Leśmiana
(Primum Verbum, 2012)Bolesław Leśmian’s The Mad Violinist contains many suggestions concerning the musical side of the drama, especially its properties of sound and expression. The violin and violin playing fulfill an important function - ... -
Muzyczne wyzwolenie z języka? Filozoficzne aspekty muzycznych inspiracji w poezji Mirona Białoszewskiego
(Primum Verbum, 2012)Miron Bialoszewski is known for his untypical and idiosyncratic language of his poetry, as well as prose and drama that he has created. However, it is possible to find many connections between those linguistic experiments ... -
Muzyka i gruźlica
(Primum Verbum, 2012)The article is an attempt at interpreting two Jarosław Iwaszkiewicz’s texts: Brzezina and Sława i chwała. The authoress examines the presence in texts by Jarosław Iwaszkiewicz two interrelated elements: tuberculosis and ... -
Muzyka ocalona, muzyka ocalająca. O Traktacie o łuskaniu fasoli Wiesława Myśliwskiego
(Primum Verbum, 2012)Article focuses on interpretation of the last novel written by Wiesław Myśliwski Traktat o łuskaniu fasoli. The author presents biography of hero — musician and homo viator. Novel describes his life and its connections ... -
Muzyka w dramatach Tadeusza Micińskiego
(Primum Verbum, 2012)The article presents a wealth of musical phenomena in Tadeusz Miciński’s dramas. It attempts to characterize and systematize them on basis of such pieces as Kniaź Patiomkin, Noc rabinowa, W mrokach złotego pałacu, czyli ... -
Muzyka w dramatach Tadeusza Micińskiego na przykładzie Termopili polskich. Misterium na tle życia i śmierci Księcia Józefa Poniatowskiego
(Primum Verbum, 2012)The first part of the article is devoted to the analysis of the 19th-century Polish music theory whose main focus was to study the relationship between text and music in vocal composition, especially from the perspective ... -
„Nowa muzyczność”? Fonostylistyka awangardowa i jej współczesne kontynuacje
(Primum Verbum, 2012)The article presents detailed analyses of the irregular sound organisation of the two wings of Polish interwar avant-garde poetry: futurism and the constructivist group Awangarda Krakowska. The starting point of the ... -
Pieśni Mieczysława Karłowicza do słów Kazimierza Przerwy-Tetmajera w świetle poglądów XIX-wiecznych teoretyków muzyki na muzyczność języka polskiego
(Wydawnictwo Uniwersytetu Łódzkiego, 2012)The first part of the article is devoted to the analysis of the 19th-century Polish music theory whose main focus was to study the relationship between text and music in vocal composition, especially from the perspective ... -
Poezja konkretna i muzyka
(Primum Verbum, 2012)The article shows the functioning of concrete poetry in the sphere dominated by technological solutions, being characteristic of the culture associated with new media. Subjected to analysis and interpretation is the ... -
„Pokrzywione bemole” — o inspiracjach muzycznych w twórczości poetyckiej Brunona Jasieńskiego (jak również o autorach, dla których twórczość ta stała się muzyczną inspiracją) słów kilka
(Primum Verbum, 2012)The article describes the importance of public performance for the image of the Futurists, mainly of Bruno Jasieński. The impressions that the artists gained from Helena Buczyńska’s ‘word-arts’ performance, and Scriabin’s ... -
Poszerzanie pola słyszenia
(Wydawnictwo Uniwersytetu Łódzkiego, 2012)