The Terror of the Threshold: Liminality and the Fairies of Sir Orfeo
| dc.contributor.author | Spyra, Piotr | |
| dc.date.accessioned | 2017-06-19T09:58:52Z | |
| dc.date.available | 2017-06-19T09:58:52Z | |
| dc.date.issued | 2015 | |
| dc.identifier.citation | Spyra, Piotr. The Terror of the Threshold: Liminality and the Fairies of Sir Orfeo. Leeds Studies in English XLVI (2015): 57-72. | pl_PL |
| dc.identifier.issn | 0075-8566 | |
| dc.identifier.uri | http://hdl.handle.net/11089/21968 | |
| dc.language.iso | en | pl_PL |
| dc.publisher | School of English, University of Leeds | pl_PL |
| dc.relation.ispartofseries | Leeds Studies in English;46 | |
| dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
| dc.subject | Sir Orfeo | pl_PL |
| dc.subject | fairies | pl_PL |
| dc.subject | liminality | pl_PL |
| dc.title | The Terror of the Threshold: Liminality and the Fairies of Sir Orfeo | pl_PL |
| dc.type | Article | pl_PL |
| dc.rights.holder | Piotr Spyra | pl_PL |
| dc.page.number | 57-72 | pl_PL |
| dc.contributor.authorAffiliation | University of Łódź | pl_PL |
| dc.contributor.authorBiographicalnote | Piotr Spyra is Assistant Professor in the Department of Studies in Drama and Pre-1800 English Literature at the University of Łódź (Poland), where he teaches medieval and early modern English literature. He is the author of The Epistemological Perspective of the Pearl-Poet (2014). His research interests include Middle English poetry, medieval folklore, and Renaissance English drama. | pl_PL |
| dc.references | Corinne Saunders, Rape and Ravishment in the Literature of Medieval England (Woodbridge: Brewer, 2001) | pl_PL |
| dc.references | Lizanne Henderson and Edward J. Cowan, Scottish Fairy Belief: A History (East Linton: Tuckwell, 2001) | pl_PL |
| dc.references | William Empson, Seven Types of Ambiguity (London: Chatto and Windus, 1930) | pl_PL |
| dc.references | Ellen M. Caldwell, ‘The Heroism of Heurodis: Self-Mutilation and Restoration in Sir Orfeo’, Papers on Language and Literature, 43 (2007), 291–310. | pl_PL |
| dc.references | Arnold van Gennep, The Rites of Passage, trans. by Monika B. Vizedom and Gabrielle L. Caffee (Chicago: University of Chicago Press, 2011) | pl_PL |
| dc.references | Victor Turner, ‘Betwixt and Between: The Liminal Period in Rites de Passage’, in The Forest of Symbols: Aspects of Ndembu Ritual (Ithaca: Cornell University Press, 1967), pp. 93–111 | pl_PL |
| dc.references | Patricia Lysaght, ‘Fairylore from the Midlands of Ireland’, in The Good People: New Fairylore Essays, ed. by Peter Narváez, Garland Reference Library of the Humanities, 1376 (New York: Garland, 1991), pp. 22–46 | pl_PL |
| dc.references | Margaret Bennett, ‘Balquhidder Revisited: Fairylore in the Scottish Highlands 1690–1990’, in The Good People: New Fairylore Essays, ed. by Peter Narváez, Garland Reference Library of the Humanities, 1376 (New York: Garland, 1991), pp. 94–115 | pl_PL |
| dc.references | Robin Gwyndaf, ‘Fairylore: Memorates and Legends from Welsh Oral Tradition’, in The Good People: New Fairylore Essays, ed. Peter Narváez, Garland Reference Library of the Humanities, 1376 (New York: Garland, 1991), pp. 155–95 | pl_PL |
| dc.references | Robert Kirk, ‘The Secret Commonwealth of Elves, Fauns and Fairies’, in The Occult Laboratory: Magic, Science and Second Sight in Late Seventeenth-Century Scotland, ed. by Michael Hunter (Woodbridge: Boydell, 2001), pp. 77–106 | pl_PL |
| dc.references | Peter Narváez, ‘Newfoundland Berry Pickers “In the Fairies”: Maintaining Spatial, Temporal and Moral Boundaries Through Legendry’, in The Good People: New Fairylore Essays, ed. by Peter Narváez, Garland Reference Library of the Humanities, 1376 (New York: Garland, 1991), pp. 336–68 | pl_PL |
| dc.references | Theresa Bane, Encyclopedia of Fairies in World Folklore and Literature (Jefferson: McFarland, 2013) | pl_PL |
| dc.references | Francis James Child (ed.), The English and Scottish Popular Ballads, 5 vols (Boston and New York: Houghton, Mifflin and Company, [1882–98]) | pl_PL |
| dc.references | Diane Purkiss, At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, and Other Troublesome Things (New York: NYU Press, 2000) | pl_PL |
| dc.references | Ann Helene Bolstad Skjelbred, ‘Rites of Passage as Meeting Place: Christianity and Fairylore in Connection with the Unclean Woman and the Unchristened Child’, in The Good People: New Fairylore Essays, ed. by Peter Narváez, Garland Reference Library of the Humanities, 1376 (New York: Garland, 1991), pp. 215–23 | pl_PL |
| dc.references | Mary Douglas, Purity and Danger: An Analysis of Concepts of Pollution and Taboo (London: Routledge, 2001) | pl_PL |
| dc.references | Sir Orfeo, ed. by A. J. Bliss, 2nd edn (Oxford: Clarendon Press, 1966) | pl_PL |
| dc.references | William Butler Yeats, Fairy and Folk Tales of the Irish Peasantry (London: Scott, [1888]) | pl_PL |
| dc.references | John Block Friedman, ‘Eurydice, Heurodis, and the Noon-Day Demon’, Speculum, 41 (1966), 22–29 | pl_PL |
| dc.references | Ad Putter, ‘The Influence of Visions of the Otherworld on Some Medieval Romances’, in Envisaging Heaven in the Middle Ages, ed. by Carolyn Muessig and Ad Putter, Routledge Studies in Medieval Religion and Culture, 6 (London: Routledge, 2007), pp. 237–51 | pl_PL |
| dc.references | Brian Stone, ‘The Common Enemy of Man’, in Sir Gawain and the Green Knight, trans. by Brian Stone (London: Penguin, 1974), pp. 116–28 | pl_PL |
| dc.references | Gerald Morgan, Sir Gawain and the Green Knight and the Idea of Righteousness (Dublin: Irish Academic Press, 1991) | pl_PL |
| dc.references | James F. Knapp, ‘The Meaning of Sir Orfeo’, Modern Language Quarterly, 29 (1968), 263–73 | pl_PL |
| dc.references | Anne Marie D’Arcy, ‘The Faerie King’s Kunstkammer: Imperial Discourse and the Wondrous in Sir Orfeo’, Review of English Studies, 58/233 (2007), 10–33 | pl_PL |
| dc.references | A. C. Spearing, ‘Madness and Gender’, in The Spirit of Medieval English Popular Romance, ed. by Ad Putter and Jane Gilbert (Harlow: Longman, 2000), pp. 258–72 | pl_PL |
| dc.references | Derek Pearsall, ‘Madness in Sir Orfeo’, in Romance Reading on the Book: Essays on Medieval Narrative Presented to Maldwyn Mills, ed. Jennifer Fellows and others (Cardiff: University of Wales Press, 1996), pp. 51–63 | pl_PL |
| dc.references | Geoffrey Chaucer, The Complete Works of Geoffrey Chaucer, ed. by F. N. Robinson (Oxford: Oxford University Press, 1985) | pl_PL |
| dc.references | Pearl, Cleanness, Patience, Sir Gawain and the Green Knight, ed. by A. C. Cawley and J. J. Anderson (London: Dent, 1976) | pl_PL |
| dc.references | James Wade, Fairies in Medieval Romance (Basingstoke: Palgrave Macmillan, 2011) | pl_PL |
| dc.references | Julia Kristeva, Powers of Horror, trans. by Leon S. Roudiez (New York: Columbia University Press, 1982) | pl_PL |
| dc.references | Carole G. Silver, ‘Tabu: Eating and Drinking, Motifs C200–C299’, in Archetypes and Motifs in Folklore and Literature: A Handbook, ed. by Jane Garry and Hasan El-Shamy (Armonk, New York: Sharpe, 2005), pp. 103–7. | pl_PL |
| dc.references | Manuel Aguirre, ‘The Lure of the Limen’, Trellis Papers, 1 (2006), 3–16 | pl_PL |
| dc.references | Curtis E. H. Jirsa, ‘In the Shadow of the Ympe-tre: Arboreal Folklore in Sir Orfeo’, English Studies, 89 (2008), 141–51 | pl_PL |
| dc.references | Walter Yeeling Evans-Wentz, The Fairy-Faith in Celtic Countries (London: Oxford University Press, 1911) | pl_PL |
| dc.references | Katharine Briggs, The Fairies in Tradition and Literature (London: Routledge and Keegan Paul, 2002) | pl_PL |
| dc.references | Barbara Rieti, ‘“The Blast” in Newfoundland Fairy Tradition’, in The Good People: New Fairylore Essays, ed. by Peter Narváez, Garland Reference Library of the Humanities, 1376 (New York: Garland, 1991), pp. 284–97 | pl_PL |
| dc.references | Helen Cooper, The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare (Oxford: Oxford University Press, 2004) | pl_PL |
| dc.references | Joyce Underwood Munro, ‘The Invisible Made Visible: The Fairy Changeling as a Folk Articulation of Failure to Thrive in Infants and Children’, in The Good People: New Fairylore Essays, ed. by Peter Narváez, Garland Reference Library of the Humanities, 1376 (New York: Garland, 1991), pp. 251–83 | pl_PL |
| dc.references | Bruce Mitchell, ‘The Faery World of Sir Orfeo’, Neophilologus, 48 (1964), 155–59 | pl_PL |
| dc.references | Peter J. Lucas, ‘An Interpretation of Sir Orfeo’, Leeds Studies in English, n. s. 6 (1979), 1–9 | pl_PL |
| dc.references | Claude Luttrell, ‘The Folk-Tale Element in Sir Gawain and the Green Knight’, Studies in Philology, 77 (1980), 105–27 | pl_PL |
| dc.references | Oren Falk, ‘The Son of Orfeo: Kingship and Compromise in a Middle English Romance’, Journal of Medieval and Early Modern Studies, 30 (2000), 247–74 | pl_PL |
Pliki tej pozycji
Pozycja umieszczona jest w następujących kolekcjach
Poza zaznaczonymi wyjątkami, licencja tej pozycji opisana jest jako Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska