RSS 1.0Południowosłowiańskie Zeszyty Naukowe. Język - Literatura - Kultura 6 (2009)
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CONTENT
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Stereotypizacja Słowiańszczyzny południowej w polskim dyskursie publicznym III Rzeczypospolitej (po 1989 roku)
Bogusław Zieliński
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Motiv Edipa u srpskoj dramskoj književnosti
Vesna Krčmar
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Преиспитивање Kосовске легенде – поводом драме виде огњеновић Jе ли било кнежеве вечере?
Zoran Maksimović
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„Mesije: mesijah” Oskara Daviča – postmodernistyczny dramat absurdu
Barbara Czapik-Lityńska
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Kiedy komedia jest już niemożliwa… dramat absurdu Dušana Kovačevicia
Dagmara Szałęga
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Вивисекција српског менталитета кроз Клаустрофобичне комедије и Урнебесне трагедије Душана Ковачевића
Janko Vujinović
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„Čovjek nije nego glumac na sceni svijeta”. O dramatach Mira Gavrana
Zdzisław Darasz
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„Dobrodošli u rat!” Davora Špišicia. Apokalipsa w dobie kryzysu
Lidia Nowicka-Comber
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Powrót podmiotu klasycznego do współczesnego dramatu słoweńskiego
Krištof Jacek Kozak
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Groteska w rytmie walca, czyli „Veliki briljantni valček” Drago Jančara
Marta Przybylska
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В света на абсурда и извън него в пиесите на Христо Бойчев
Ilia Pachev
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Wojna w trzech obrazach. O polskich premierach „Skóry węża” Slobodana Šnajdera, „Sytuacji rodzinnych” Biljany Srbljanović i „Beczki prochu” Dejana Dukovskiego
Barbara Osterloff
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„Задушница” от а. Мицкевич на сцената на Народния театър, Cофия, 1937 г.
Romeo Popilijev
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„Odczytywanie Gavrana” – o recepcji dramaturgii Mira Gavrana w Polsce
Jolanta Dziuba
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Komedija „Rodoljupci” Jovana Sterije Popovića – između prošlosti i sadašnjosti
Zoran T. Jovanović
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Muzičke obrade teme „Nečiste krvi” Borisava Stankovića u Narodnom pozorištu u Beogradu
Jelena Kovačević
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Dramaty Aleksandra Popovicia. Głos reżysera
Nono Dragović
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Kilka uwag tłumacza o sztuce przekładu dramatów
Dorota Jovanka Ćirlić-Mentzel
Najnowsze pozycje
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Groteska w rytmie walca, czyli „Veliki briljantni valček” Drago Jančara
(Piktor, 2009)Drago Jančar wrote his play in 1985 shortly before the political transformations which led to Slovenia’s secession from Yugoslavia. The Great Brilliant Waltz is a captivating drama about the impact a totalitarian regime ... -
В света на абсурда и извън него в пиесите на Христо Бойчев
(Piktor, 2009)Предложенные в статье наблюдения касаются наиболее представительных драматических произведений Христо Бойчева – Оркестър „Титаник” и Полковникът птица, которые ставятся как на болгарской театральной сцене, так и в других ... -
„Čovjek nije nego glumac na sceni svijeta”. O dramatach Mira Gavrana
(Piktor, 2009)Этот прием осуществляется с применением техники „театра в театре” (Антигона Креона, Ночь богов, Пациент доктора Фрейда и др.) и с моделированием межчеловеческих отношений по правилам игры: лжи и обмана, обмена ролями, ... -
Kilka uwag tłumacza o sztuce przekładu dramatów
(Piktor, 2009)An interpreter always seeks and rediscovers the meaning of words, „refreshes” them continuously verifying whether they express their author’s original intention. An interpreter working with a piece of art experiences its ... -
„Dobrodošli u rat!” Davora Špišicia. Apokalipsa w dobie kryzysu
(Piktor, 2009)The aim of this article is to discuss Davor Špišić’s play Dobrodošli u rat. By means of allusion to the genre of science fiction and to George Miller’s cinematographic creation Mad Max, the author defines the shape of the ... -
Stereotypizacja Słowiańszczyzny południowej w polskim dyskursie publicznym III Rzeczypospolitej (po 1989 roku)
(Piktor, 2009)The picture of the southern Slavic countries in the Polish public discourse after the year 1989, following the tendencies characteristic for the Euro-Atlantic discourse, became completely dominated by the context of the ... -
„Odczytywanie Gavrana” – o recepcji dramaturgii Mira Gavrana w Polsce
(Piktor, 2009)Miro Gavran, an acknowledged Croatian playwright of the middle generation, has returned with his comedy repertoire to Polish theatres at the beginning of this century. In Poland in the 90ties he presented himself as an ... -
Kiedy komedia jest już niemożliwa… dramat absurdu Dušana Kovačevicia
(Piktor, 2009)The article discusses the phenomenon of the Theatre of the Absurd in Dušan Kovačević's writings. His dramas concerned as written according to the above mentioned trend all date after the 1990s: Urnebesna tragedija (The ... -
Powrót podmiotu klasycznego do współczesnego dramatu słoweńskiego
(Piktor, 2009)The basic hypothesis of the article is a contemporary dramatic phenomenon, i.e. the return of the classical drama onto theatrical stage. The question, naturally, arises with regard to the reaction of the theatre to the ... -
Dramaty Aleksandra Popovicia. Głos reżysera
(Piktor, 2009)Alexander Popovic is the greatest Serbian (Yugoslavian) postwar writer, very difficult to translate, never staged in Poland and therefore not known to the average Polish theatre goer and to theatrical milieu. The director ... -
„Mesije: mesijah” Oskara Daviča – postmodernistyczny dramat absurdu
(Piktor, 2009)Пьесу Mesije: mesijah причисляют к позднему периоду творчества Оскара Давича – сербского модернистского писателя, передового представителя авангарда. Восприятие его через неоавангардистское обращение к абсурду, свойственное ... -
Komedija „Rodoljupci” Jovana Sterije Popovića – između prošlosti i sadašnjosti
(Piktor, 2009)The most important Serbian comedian in the XIX century, Jovan Sterija Fifty years after Sterija’s death, in the year of 1904, for the first time The Patriots performed in the National theatre in Belgrade. Jovan Skerlić, ... -
„Задушница” от а. Мицкевич на сцената на Народния театър, Cофия, 1937 г.
(Piktor, 2009)Bulgaria was the second country after Poland in which Miczkiewicz’s dramatic poem Dziady, an especially great challenge for staging, was presented in a theatre. This was in 1937 in the National Theatre in Sofia, under the ... -
Wojna w trzech obrazach. O polskich premierach „Skóry węża” Slobodana Šnajdera, „Sytuacji rodzinnych” Biljany Srbljanović i „Beczki prochu” Dejana Dukovskiego
(Piktor, 2009)The article concerns the following theatrical plays: Powder Keg (pol. Beczka prochu), Family Stories (pol. Sytuacje rodzinne) and Snake Skin (pol. Skóra węża) directed by Grażyna Kania, Piotr Łazarkiewicz and Piotr Cieplak, ... -
Muzičke obrade teme „Nečiste krvi” Borisava Stankovića u Narodnom pozorištu u Beogradu
(Piktor, 2009)Synchronous interest of different artists in the subject of the Impure Blood by Borisav Stanković points that this classical novel gains new importance in our times, revoked after more then three decades since the last ... -
Motiv Edipa u srpskoj dramskoj književnosti
(Piktor, 2009)The myth about Oedipus is one of the most popular subjects, not just in Greek literature, but in the whole world literature from the classical period to these days. The motive about incest (between mother and son) is popular ...