1. Editorial
    Jadwiga Maszewska
  2. To Archive or Not to Archive: The Resistant Potential of Digital Poetry
    Aaron Angello
  3. The Continuing Story of the Yiddish Language: The Yiddish Book Center in Amherst, Massachusetts
    Brygida Gasztold
  4. Anthology and Absence: The Post-9/11 Anthologizing Impulse
    Anne Lovering Rounds
  5. Thoreau and Spadina Dreamers Unite: Idealistic Communities in Canadian Publishing
    Norman Ravvin
  6. The Limits of Language as the Limits of the World: Cormac McCarthy’s and David Markson’s Post-Apocalyptic Novels
    Paulina Ambroży
  7. “Receive with Simplicity Everything That Happens to You”: Schlemiel (Meta)Physics in the Coens’ A Serious Man
    Krzysztof Majer
  8. Charles Willson Peale’s The Exhumation of the Mastodon and the Great Chain of Being: The Interaction of Religion, Science, and Art in Early-Federal America
    Bryan J. Zygmont
  9. “You Avenge the Others”: The Portrait of a Femme Fatale in Gladys Huntington’s Madame Solario
    Alicja Piechucka
  10. The Double Man: W. H. Auden’s Transatlantic Transformation
    Jacek Partyka
  11. From Physical to Spiritual Errand: The Immigrant Experience in John Winthrop, William Bradford, and Samuel Danforth
    Justyna Fruzińska
  12. Change and the Poetics of Plenitude in Wallace Stevens and John Ashbery
    Kacper Bartczak
  13. “An Inner Comprehension of the Pueblo Indian’s Point of View”: Carl Gustav Jung’s 1925 Visit to Taos, New Mexico
    Zbigniew Maszewski
  14. In Praise of Slacking: Richard Linklater’s Slacker and Kevin Smith’s Clerks as Hallmarks of 1990s American Independent Cinema Counterculture
    Katarzyna Małecka
  15. Going to America to See the Fens Better? Stephen Gyllenhaal’s Waterland
    Adam Sumera
  16. thurnauer: vt and vi, to paint in the second person
    Rod Mengham
  17. Framing Madame B: Quotation and Indistinction in Mieke Bal and Michelle Williams Gamaker’s Video Installation
    Dorota Filipczak
  18. A goldene medine? A Dialogue in Many Voices on Canadian Jewish Studies and Poland
    Norman Ravvin

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