dc.contributor.author | Stefański, Krzysztof Stanisław | |
dc.date.accessioned | 2015-11-13T08:23:19Z | |
dc.date.available | 2015-11-13T08:23:19Z | |
dc.date.issued | 2002 | |
dc.identifier.issn | 0208-6050 | |
dc.identifier.uri | http://hdl.handle.net/11089/13635 | |
dc.description | Wydanie publikacji dofinansowane przez Komitet Badań Naukowych. Niniejszy artykuł, złożony do druku w lipcu 1997 r., opracowany został w dużej mierze
dzięki materiałom zebranym wiosną tegoż roku w Wiedniu, w czasie pobytu umożliwionego
przez stypendium „Fundacji z Brzezia Lanckorońskich”. Jego wersja niemieckojęzyczna
ukazała się w „österreichische Zeitschrift für Kunst und Denkmalpflege” 1998, LII, H. 2,
s. 441-452. | pl_PL |
dc.description.abstract | At the turn of the 19. and 20. Century Łódź was not only a dynamically developing
industrial city but it also grew up to be the important centre of Polish art and architecture. It
became typical for this city to order designs of numerous buildings at foreign architects
(mostly from Berlin) together with details of interior design and equipment (from Berlin and Wroclaw). Less frequent but artistically significant is the presence of buildings designed by
artists deriving from Vienna. For example there are some interesting graves on cemeteries of
Łódź manufactured by Vienna workshops.
One of most important aspects or this matter is co-operation with Vienna architect
Siegfried Stern during the realisation of neo-gothic catholic church of St Stanisław Kostka
that was built from 1901 (nowadays it is arch-cathedral). For eight years Siegfried Stern
prepared detailed architectural drawings, supervised the progress of work and even few times
visited the town. It is worth to draw the attention to the similarity of mentioned church to
a shape of cathedral in Linz that was build since 1862, following a design of Vinzent Statz.
The works were resumed in 1902, when cathedral in Łódź was under construction. As from
Stern’s letters we learn that he had known mentioned church in Linz, the correspondence of
forms is not coincidental.
Some other interesting examples of the presence of architects from Vienna in Łódź are
Kindermann brothers’ residences (137/139 and 151 Piotrkowska Street) that were designed by
Vienna architect Karl Seidl. Moreover there is an interesting mosaic on the facade of 137/139
Piotrkowska Street created by Hans Alois Schram - a painter from Vienna. (The mosaic
manufactured by Venetian’s workshop of Adrea Salviati). | pl_PL |
dc.description.sponsorship | Zadanie pt. Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki nr 885/P-DUN/2014 zostało dofinansowane ze środków MNiSW w ramach działalności upowszechniającej naukę. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
dc.relation.ispartofseries | Acta Universitatis Lodziensis. Folia Historica;74 | |
dc.title | Wiedeńscy twórcy w Łodzi | pl_PL |
dc.title.alternative | Yienna Creators in Łódź | pl_PL |
dc.type | Article | pl_PL |
dc.rights.holder | © Copyright by Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2002 | pl_PL |
dc.page.number | 23-41 | pl_PL |
dc.contributor.authorAffiliation | Uniwersytet Łódzki, Katedra Historii Sztuki | pl_PL |