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dc.contributor.authorMieszek, Małgorzata
dc.date.accessioned2015-06-10T14:28:48Z
dc.date.available2015-06-10T14:28:48Z
dc.date.issued2006
dc.identifier.issn1505-9057
dc.identifier.urihttp://hdl.handle.net/11089/9434
dc.description.abstractThere are two periods in the Piarist’s theatre. First lasted from 1664 till 1743, second - 1744 untill 1782. Information about interludes on Piarist’s stages are included predominately in (printed or hand written) theatre programmes. Interludes appeared mainly in the first period. They had various characters and names. They could be designed for entertainment or had educational aim (the titles of some of them summarized the content). They might have been performed in Polish, French, Italian or Latin. There have been no information in theatre programmes about interludes since Konarski’s breakthrough (in 1744), They could be e.g. displaced by comedies played after (not between acts) a given play. It was Piarist’s aspiration to maintain plays cohesive. Interludes appeared to disintegrate plays and that is why they were limited.pl_PL
dc.description.sponsorshipZadanie pt. „Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki” nr 885/P-DUN/2014 zostało dofinansowane ze środków MNiSW w ramach działalności upowszechniającej naukępl_PL
dc.language.isoplpl_PL
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesActa Universitatis Lodziensis. Folia Litteraria Polonica;8
dc.titleO intermediach w pijarskim teatrze szkolnympl_PL
dc.title.alternativeAbout interludes in a school Piarist's theatrepl_PL
dc.typeArticlepl_PL
dc.page.number[81]-88pl_PL


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