Shakespeare, Trauma, and Social Change: Inclusive Ukrainian Theatre Projects (2019–2023)
| dc.contributor.author | Rosa-Lavrentii, Sofiia | |
| dc.date.accessioned | 2026-06-12T06:19:11Z | |
| dc.date.available | 2026-06-12T06:19:11Z | |
| dc.date.issued | 2025-12-30 | |
| dc.identifier.issn | 2083-8530 | |
| dc.identifier.uri | http://hdl.handle.net/11089/58480 | |
| dc.description.abstract | This article focuses on the analysis of art-therapeutic, inclusive theatre projects in Ukraine that were based on Shakespeare’s plays and implemented from 2019 to 2023. The goal of these projects was deeply integrative: to draw public attention to people with disabilities, war veterans, and children whose parents were on the frontline. In addition, the aim of the theatre projects was to help these groups be heard, to provide them with the tools and a platform to tell their stories through archetypal, recognisable narrative patterns. The article explores the production of Twelfth Night, or What You Will based on Shakespeare’s comedy with veterans and volunteers of the Russian-Ukrainian war (‘Project W’), directed by Oleksii Hnatkovskyi, 2019; the inclusive project 12 Ophelia by the Kharkiv Arabesque Studio Theatre, 2019; and the production Monster Opera based on Shakespeare with children of the military, directed by Nigel Osborne, 2023. | en |
| dc.language.iso | en | |
| dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl |
| dc.relation.ispartofseries | Multicultural Shakespeare: Translation, Appropriation and Performance;46 | en |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0 | |
| dc.subject | inclusive theatre | en |
| dc.subject | Shakespeare and disability | en |
| dc.subject | Shakespeare and trauma | en |
| dc.subject | Shakespeare in Ukraine | en |
| dc.subject | theatre as a therapy | en |
| dc.subject | art-therapy practicing | en |
| dc.subject | integrative theatre | en |
| dc.subject | inclusiveness in the theatre | en |
| dc.title | Shakespeare, Trauma, and Social Change: Inclusive Ukrainian Theatre Projects (2019–2023) | en |
| dc.type | Article | |
| dc.page.number | 243-255 | |
| dc.contributor.authorAffiliation | Ivan Franko National University of Lviv | en |
| dc.identifier.eissn | 2300-7605 | |
| dc.references | Davis, Lennard J. and Rebecca Sanchez, ed. The Disability Studies Reader. 6th edi-tion. New York and London: Routledge, 2021. | en |
| dc.references | Goodley, Dan. Disability Studies: An Interdisciplinary Introduction. London: Sage, 2025. https://doi.org/10.4135/9781036232689.n8 | en |
| dc.references | Hnatkovskyi, Oleksii. “Veterans will perform Shakespeare in English. It Will Be a Challenge and Another Victory.” An Interview with O. Hnatkovskyi / Kateryna Konstantynova. Dzerkalo tyzhnia, 4 May 2019. https://zn.ua/ukr/ART/oleksiy-gnatkovskiy-veterani-ato-gratimut-shekspira-angliyskoyu-ce-bude-viklik-i-sche-odna-peremoga-307735_.html. Accessed 3 February 2026. | en |
| dc.references | Kaplan, Ellen W., ed. Theatre Responds to Social Trauma: Chasing the Demons. New York and London: Routledge, 2024. https://doi.org/10.4324/9781003197034 | en |
| dc.references | Oleshko, Svitlana. “12 Ofelìj, Haj slovo pogodit’sâ z žestom, a žest zi slovom”. Episode 1. You Tube interview, 2020 [“Suit the Word to the Action, the Action to the Word.” Episode 1. You Tube interview, 2020] [Олешко, Світлана. “12 Офелій, Хай слово погодиться з жестом, а жест зі словом”. Episode 1. You Tube interview, 2020]. https://www.youtube.com/watch?v=QsjBZpQCH60&list=PLg0YcFxmUF9iDGg6hMQLhYF0I7MjSEVHL&index=12. Accessed 3 February 2026. | en |
| dc.references | Schininà, Guglielmo. “Like Ham in a Temperance Hotel – Healing, Participation and Education in Social Theatre.” Dramatherapy and Social Theatre – Necessary Dialogues. Ed. S. Jennings and S. London. New York and London: Routledge, 2009. 37–47. | en |
| dc.references | Shakespeare, Tom. Disability: The Basics. New York and London: Routledge. | en |
| dc.contributor.authorEmail | sofiyarosa-lavrentiy@lnu.edu.ua | |
| dc.identifier.doi | 10.18778/2083-8530.31.15 | |
| dc.relation.volume | 31 |
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