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Book Reviews

dc.contributor.authorLin, Weijian
dc.contributor.authorDong, Xiaoye
dc.contributor.authorYao, Yao
dc.contributor.authorMin, Jiao
dc.contributor.authorSun, Yu
dc.contributor.authorShi, Jiaqing
dc.date.accessioned2024-09-18T11:13:56Z
dc.date.available2024-09-18T11:13:56Z
dc.date.issued2024-09-18
dc.identifier.issn2083-8530
dc.identifier.urihttp://hdl.handle.net/11089/53207
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesMulticultural Shakespeare: Translation, Appropriation and Performance;44en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.titleBook Reviewsen
dc.typeOther
dc.page.number217-246
dc.contributor.authorAffiliationLin, Weijian - School of International Studies, Zhejiang University, Chinaen
dc.contributor.authorAffiliationDong, Xiaoye - School of Foreign Languages, Northeast Forestry University, Chinaen
dc.contributor.authorAffiliationYao, Yao - School of International Studies, Zhejiang University, Chinaen
dc.contributor.authorAffiliationMin, Jiao - Faculty of English Language and Culture, Guangdong University of Foreign Studies, Chinaen
dc.contributor.authorAffiliationSun, Yu - School of Foreign Languages, Northeast Forestry University, Chinaen
dc.contributor.authorAffiliationShi, Jiaqing - School of Foreign Languages, Northeast Forestry University, Chinaen
dc.identifier.eissn2300-7605
dc.referencesBao, Huiyi.《镜迷宫：莎士比亚十四行诗的世界》[Mirror Maze: The World of Shakespeare’s Sonnets]. Shanghai: East China Normal University Press, 2023.en
dc.referencesChiu, Chin-jung. “In Search of Shakespeare via His Sonnets—A Pedagogical Travelogue.” Medieval and Renaissance Studies 6. Ed. Tianhu Hao. Hangzhou: Zhejiang University Press, 2022. 125-137.en
dc.referencesChiu, Chin-jung 邱锦荣. “In Search of Shakespeare via His Sonnets: A Pedagogical Travelogue” 与莎士比亚的际遇：十四行诗的教学志. Medieval and Renaissance Studies 6 《中世纪与文艺复兴研究（六）》 (2022): 125-137.en
dc.referencesSpîsiaková, Eva. Queering Translation History: Shakespeare’s Sonnets in Czech and Slovak Transformations. London: Routledge, 2021.en
dc.referencesTrivedi, Poonam, Paromita Chakravarti, and Ted Motohashi, eds. Asian Interventions in Global Shakespeare: “All the World’s His Stage.” London: Routledge, 2021.en
dc.referencesWang, Ning 王宁. “Shakespearean Plays as World Theater” 作为世界戏剧的莎士比亚剧作. Medieval and Renaissance Studies 7 《中世纪与文艺复兴研究（七）》 (2022): 3-20.en
dc.referencesLiu, Fang. “Cross-Dressing in Chinese and Western Drama—An Analysis of Shakespeare’s ‘The Merchant of Venice’ and Yue Opera ‘Meng Lijun’” 中西戏 剧中的“女扮男装”——以莎剧《威尼斯商人》与越剧《孟丽君》为例. Drama Literature《戏剧文学》, 10 (2014): 86-90.en
dc.referencesSpivack, Bernard. Shakespeare and the Allegory of Evil—The History of a Metaphor in Relation to His Major Villains. New York, London: Columbia University Press and Oxford University Press, 1958.en
dc.referencesYang, Lingui. “Chinese Narrative in World Shakespeare: General Editor’s Preface to ‘Shakespeare Studies Series’” 世界莎学中国叙事——“莎士比亚研究丛书” 第二系列总主编前言. Medieval and Renaissance Studies 7 《中世纪与文艺 复兴研究（七）》(2022): 167-175.en
dc.referencesZeng, Yanbing. “On Women Disguised as Men in Shakespeare’s Comedies” 论莎士比 亚喜剧中的女扮男装. Medieval and Renaissance Studies 8 《中世纪与文艺 复兴研究（八）》(2023): 104-125.en
dc.referencesZhao, Yiheng. “How Shakespeare Tells Stor —Preface to Cheng Li’s A Narratological Study of Shakespearean Drama” 莎士比亚如何讲故事——成立《莎士比亚 戏剧的叙述学研究》序. In Cheng Li’s A Narratological Study of Shakespearean Drama. Chengdu: Bashu Publishing House, 2021. 1-4.en
dc.referencesLamb, Charles and Mary Lamb. Yin Bian Yan Yv. Trans. Shu Lin and Yi Wei. Beijing: The Commercial Press, 1981.en
dc.referencesLi, Ruru. Shashibiya: Staging Shakespeare in China. Hong Kong: Hong Kong University Press, 2003.en
dc.referencesTang, Renfang. “A Pioneering English Monograph on Staging Shakespeare in China” 莎 士比亚中国舞台演出研究领域的一本英文先驱之作. Medieval and Renaissance Studies 1《中世纪与文艺复兴研究（一）》(2019): 334-344.en
dc.referencesWang, Ning. “Shakespearean Plays as World Theatre” 作为世界戏剧的莎士比亚剧作. Medieval and Renaissance Studies 7 《中世纪与文艺复兴研究（七）》 (2022): 3-20.en
dc.referencesZeng, Yanbing. “On Cross-dressing in Shakespeare’s Plays” 论莎士比亚戏剧中的女扮 男装. Medieval and Renaissance Studies 8 《中世纪与文艺复兴研究（八）》 (2023): 104-125.en
dc.referencesWang, Ning 王宁. “Shakespearean Plays as World Theater” 作为世界戏剧的莎士比亚 剧作. Medieval and Renaissance Studies 7 《中世纪与文艺复兴研究（七）》 (2022): 3-20.en
dc.referencesYang, Linggui, and Lu Chenyi 杨林贵, 卢陈怡. “Tragedy of Identity Switches: Fantasies and Anxieties of Boundary Crossing in Othello.” 身份转换的悲剧： 《奥赛罗》中越界的幻想与焦虑. Medieval and Renaissance Studies 9 《中 世纪与文艺复兴研究（九）》(2023): 147-165.en
dc.referencesYoshihara, Yukari. “Toward ‘Reciprocal Legitimation’ between Shakespeare’s Works and Manga.” Multicultural Shakespeare 14.1 (2016): 107-122.en
dc.contributor.authorEmailLin, Weijian - 21705003@zju.edu.cn
dc.contributor.authorEmailDong, Xiaoye - charlottexiaoye@sina.com
dc.contributor.authorEmailYao, Yao - yaoyao19920211@sina.com
dc.contributor.authorEmailMin, Jiao - 199910212@oamail.gdufs.edu.cn
dc.contributor.authorEmailSun, Yu - sunyu@nefu.edu.cn
dc.contributor.authorEmailShi, Jiaqing - sjq0810@foxmail.com
dc.identifier.doi10.18778/2083-8530.29.13
dc.relation.volume29


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