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Radicalising Shakespeare: Staging the Sri Lankan Juliet in Julietge Bhumikawa

dc.contributor.authorWarnapala, K. C. P.
dc.date.accessioned2024-09-18T11:13:53Z
dc.date.available2024-09-18T11:13:53Z
dc.date.issued2024-09-18
dc.identifier.issn2083-8530
dc.identifier.urihttp://hdl.handle.net/11089/53198
dc.description.abstractThrough an analysis of the Sri Lankan film, Julietge Bhumikawa (1998) (Illusions of Juliet), I argue that the film radicalizes Shakespeare-inspired film through providing a bold site of enunciation to the character of Juliet. While the Sri Lankan Juliet is cast as mistress, interrogating discourses of purity surrounding not only the original source text—Romeo and Juliet—but the contemporary Sri Lankan society as well, Julietge Bhumikawa reconfigures female gender ideologies by unraveling the nexus between female madness and patriarchal culture.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesMulticultural Shakespeare: Translation, Appropriation and Performance;44en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectSri Lankan filmen
dc.subjectgenderen
dc.subjectShakespeareen
dc.subjectRomeo and Julieten
dc.subject“other woman”en
dc.titleRadicalising Shakespeare: Staging the Sri Lankan Juliet in Julietge Bhumikawaen
dc.typeArticle
dc.page.number61-79
dc.contributor.authorAffiliationUniversity of Sri Jayewardenepura, Sri Lankaen
dc.identifier.eissn2300-7605
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dc.contributor.authorEmailkcpwarnapala@gmail.com
dc.identifier.doi10.18778/2083-8530.29.04
dc.relation.volume29


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