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Popular and Populist Shakespearean Transcreations in Central and Eastern Europe

dc.contributor.authorCinpoeş, Nicoleta
dc.contributor.authorDeres, Kornélia
dc.contributor.authorFabiszak, Jacek
dc.contributor.authorFöldváry, Kinga
dc.contributor.authorSchandl, Veronika
dc.date.accessioned2024-05-09T07:24:24Z
dc.date.available2024-05-09T07:24:24Z
dc.date.issued2023-12-30
dc.identifier.issn2083-8530
dc.identifier.urihttp://hdl.handle.net/11089/52120
dc.description.abstractThe article discusses the variety of ways in which the terms “popular” or “populist” could be associated with postwar Shakespearean transcreations in the Central and Eastern European region, pointing out how performers and adaptors challenged the canonical, highbrow status of Shakespeare and used his oeuvre as raw material in experimental forms and genres. Following a discussion on the variety of socio-historical contexts which inspired noteworthy popular and/or populist reworkings in several Central and Eastern European countries, the article takes a more in-depth look at a few specific comic genres, particularly the burlesque and the cabaret in a theoretical framework, and concludes by examining post-1989 experimental theatre practices. The publication of the article was supported by the International Visegrad Fund, project no. 22210007, titled “Crossing Borders with Shakespeare since 1945: Central and Eastern European Roots and Routes.” The project is co-financed by the Governments of the Czechia, Hungary, Poland and Slovakia through Visegrad Grants. The mission of the Fund is to advance ideas for sustainable regional cooperation in Central Europe.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesMulticultural Shakespeare: Translation, Appropriation and Performance;43en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectpopulismen
dc.subjectpopular(ity)en
dc.subjectmainstreamen
dc.subjectShakespeareen
dc.subjectpostwar theatreen
dc.subjectcabareten
dc.subjectburlesqueen
dc.subjectexperimental theatreen
dc.titlePopular and Populist Shakespearean Transcreations in Central and Eastern Europeen
dc.typeArticle
dc.page.number69-88
dc.contributor.authorAffiliationCinpoeş, Nicoleta - University of Worcester, Englanden
dc.contributor.authorAffiliationDeres, Kornélia - ELTE Eötvös Loránd University, Hungaryen
dc.contributor.authorAffiliationFabiszak, Jacek - Adam Mickiewicz University in Poznan, Polanden
dc.contributor.authorAffiliationFöldváry, Kinga - Pázmány Péter Catholic University, Hungaryen
dc.contributor.authorAffiliationSchandl, Veronika - Pázmány Péter Catholic University, Hungaryen
dc.identifier.eissn2300-7605
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dc.contributor.authorEmailCinpoeş, Nicoleta - n.cinpoes@worc.ac.uk
dc.contributor.authorEmailDeres, Kornélia - deres.kornelia@btk.elte.hu
dc.contributor.authorEmailFabiszak, Jacek - fabiszak@amu.edu.pl
dc.contributor.authorEmailFöldváry, Kinga - foldvary.kinga@btk.ppke.hu
dc.contributor.authorEmailSchandl, Veronika - schandl.veronika@btk.ppke.hu
dc.identifier.doi10.18778/2083-8530.28.04
dc.relation.volume28


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