Theatre Reviews

Mitsui, Takehito; Georgopoulou, Xenia

dc.contributor.author	Mitsui, Takehito
dc.contributor.author	Georgopoulou, Xenia
dc.date.accessioned	2023-07-28T06:19:26Z
dc.date.available	2023-07-28T06:19:26Z
dc.date.issued	2022-12-30
dc.identifier.issn	2083-8530
dc.identifier.uri	http://hdl.handle.net/11089/47714
dc.language.iso	en
dc.publisher	Wydawnictwo Uniwersytetu Łódzkiego	pl
dc.relation.ispartofseries	Multicultural Shakespeare: Translation, Appropriation and Performance;41	en
dc.rights.uri	https://creativecommons.org/licenses/by-nc-nd/4.0
dc.title	Theatre Reviews	en
dc.type	Other
dc.page.number	193-202
dc.contributor.authorAffiliation	Mitsui, Takehito - Tokai University, Japan	en
dc.contributor.authorAffiliation	Georgopoulou, Xenia - National and Kapodistrian University of Athens, Greece	en
dc.identifier.eissn	2300-7605
dc.references	Bradshaw, Graham and Tetsuo Kishi. Shakespeare in Japan. New York: Bloomsbury Academic, 2005.	en
dc.references	Dazai, Osamu. New Hamlet (ebook). Trans. Owen Clooney. Pennsauken, New Jersey: BookBaby, 2016.	en
dc.references	Dazai, Osamu. Shin Hamuretto [New Hamlet]. Tokyo: Bungeishunju-sha. 1941. Tokyo: Shincho-sha, 2003.	en
dc.references	Hayakawa, Aya. The Direction Notes [Enshutsu-noto]. Distributed at the performance of New Hamlet in Toga-Sanboh theatre on 11 September 2022.	en
dc.references	Kawachi, Yoshiko. “Hamlet and Japanese Men of Letters.” Multicultural Shakespeare: Translation, Appropriation and Performance 14 (29) (2016): 123-35.	en
dc.references	Okuno, Takeo. Afterword. Shin Hamuretto [New Hamlet]. By Osamu Dazai. Tokyo: Shincho-sha, 2003.	en
dc.references	Suzuki, Tadashi. Culture Is the Body. Trans. Kameron H. Steele. New York: Theatre Communications Group, 2015.	en
dc.contributor.authorEmail	Mitsui, Takehito - t.mitsui@tsc.u-tokai.ac.jp
dc.contributor.authorEmail	Georgopoulou, Xenia - georgopx@yahoo.com
dc.identifier.doi	10.18778/2083-8530.26.11
dc.relation.volume	26

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