| dc.contributor.author | Segal, Naomi | |
| dc.date.accessioned | 2022-12-29T17:17:51Z | |
| dc.date.available | 2022-12-29T17:17:51Z | |
| dc.date.issued | 2017 | |
| dc.identifier.issn | 0084-4446 | |
| dc.identifier.uri | http://hdl.handle.net/11089/44956 | |
| dc.description.abstract | Are all translators murderers, pests or parasites? Are they humble or the spokespersons
of a community? Are they trustworthy or traitors, or even ‘faithful bigamists’? And do
translations have to be beautiful or faithful, never both? Might translation be a feminine/
feminised activity because most translators are women, or because the target-language
is maternal or because it embodies the paradox of the multi-skilled serving the monoskilled?
The second half of this essay focuses on the translation of psychoanalysis,
especially Strachey’s brilliant yet much-criticised translation of Freud. | pl_PL |
| dc.language.iso | en | pl_PL |
| dc.publisher | Łódzkie Towarzystwo Naukowe | pl_PL |
| dc.relation.ispartofseries | Zagadnienia Rodzajów Literackich;2 | |
| dc.subject | translation | pl_PL |
| dc.subject | fidelity | pl_PL |
| dc.subject | psychoanalysis | pl_PL |
| dc.subject | Freud | pl_PL |
| dc.subject | Strachey | pl_PL |
| dc.title | The principles, pleasures and realities of translating psychoanalysis | pl_PL |
| dc.type | Article | pl_PL |
| dc.page.number | 9-23 | pl_PL |
| dc.contributor.authorAffiliation | University of London, Dept of Cultures & Languages, School of Arts, Birkbeck | pl_PL |
| dc.identifier.eissn | 2451-0335 | |
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| dc.references | Shakespeare William (1951 [1590–1597]), A Midsummer Night’s Dream [in:] The Complete Works (Tudor Edition) ed. P. Alexander, Collins, London–Glasgow. | pl_PL |
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| dc.relation.volume | 60 | pl_PL |
| dc.discipline | literaturoznawstwo | pl_PL |
