Afterword: Posthumanism—Past, Present and Future

dc.contributor.author	Campana, Joseph
dc.date.accessioned	2022-03-25T14:15:20Z
dc.date.available	2022-03-25T14:15:20Z
dc.date.issued	2021-12-30
dc.identifier.issn	2083-8530
dc.identifier.uri	http://hdl.handle.net/11089/41326
dc.language.iso	en
dc.publisher	Wydawnictwo Uniwersytetu Łódzkiego	pl
dc.relation.ispartofseries	Multicultural Shakespeare: Translation, Appropriation and Performance;39	en
dc.rights.uri	https://creativecommons.org/licenses/by-nc-nd/4.0
dc.title	Afterword: Posthumanism—Past, Present and Future	en
dc.type	Article
dc.page.number	191-196
dc.contributor.authorAffiliation	Rice University, USA	en
dc.identifier.eissn	2300-7605
dc.references	Haraway, Donna. Ecce Homo, Ain’t (Ar’n’t) I a Woman, and Inappropriate/d Others: The Human in a Post-Humanist Landscape”. Feminists Theorize the Political. Eds. Judith Butler and Joan Wallach Scott. London: Routledge, 1992. 86-100.	en
dc.references	Hassan, Ihab. “Prometheus as Performer: Toward a Posthumanist Culture?” The Georgia Review 31.4 (1977): 830-850 https://doi.org/10.1063/1.89573	en
dc.contributor.authorEmail	jac4@rice.edu
dc.identifier.doi	10.18778/2083-8530.24.12
dc.relation.volume	24

Except where otherwise noted, this item's license is described as https://creativecommons.org/licenses/by-nc-nd/4.0