Introduction: Shakespeare and/in Europe: Connecting Voices

Fayard, Nicole

dc.contributor.author	Fayard, Nicole
dc.date.accessioned	2021-10-19T07:57:12Z
dc.date.available	2021-10-19T07:57:12Z
dc.date.issued	2019-06-30
dc.identifier.issn	2083-8530
dc.identifier.uri	http://hdl.handle.net/11089/39409
dc.description.abstract	Recent Shakespearean productions, just like current European crises, have highlighted the exclusionary nature of European identity. In defining the scope of this special issue, the aim of this introduction is to shift the study of Shakespeare in/and Europe away from the ideological field of “unity within diversity” and its attendant politics of negotiation and mediation. Instead, it investigates whether re-situating Shakespearean analysis within regimes of exclusionary politics and group conflict attitudes helps to generate dynamic cultural and social understandings. To what effect is Shakespeare’s work invoked in relation with the tensions inherent in European societies? Can such invocations encourage reflections on Europe as a social, political and/or cultural entity? Is it possible to conceptualize Shakespearean drama as offering an effective instrument that connects―or not―the voices of the people of Europe?	en
dc.language.iso	en
dc.publisher	Wydawnictwo Uniwersytetu Łódzkiego	pl
dc.relation.ispartofseries	Multicultural Shakespeare: Translation, Appropriation and Performance;34	en
dc.rights.uri	https://creativecommons.org/licenses/by-nc-nd/4.0
dc.subject	Group conflict	en
dc.subject	Exclusion	en
dc.subject	Europe	en
dc.subject	Politics	en
dc.subject	History	en
dc.subject	Religion	en
dc.subject	Social	en
dc.subject	Reception	en
dc.title	Introduction: Shakespeare and/in Europe: Connecting Voices	en
dc.type	Other
dc.page.number	9-30
dc.contributor.authorAffiliation	University of Leicester, UK	en
dc.identifier.eissn	2300-7605
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dc.contributor.authorEmail	nf11@leicester.ac.uk
dc.identifier.doi	10.18778/2083-8530.19.01
dc.relation.volume	19

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