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dc.contributor.authorHeijes, Coen
dc.contributor.authorThompson, Ayanna
dc.date.accessioned2021-08-10T06:56:03Z
dc.date.available2021-08-10T06:56:03Z
dc.date.issued2020-12-30
dc.identifier.issn2083-8530
dc.identifier.urihttp://hdl.handle.net/11089/38609
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesMulticultural Shakespeare: Translation, Appropriation and Performance;37en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.titleIntroduction: Shakespeare, Blackface and Performance. A Global Perspectiveen
dc.typeOther
dc.page.number9-14
dc.contributor.authorAffiliationHeijes, Coen - University of Groningenen
dc.contributor.authorAffiliationThompson, Ayanna - Arizona State Universityen
dc.identifier.eissn2300-7605
dc.referencesHeijes, Coen (2020). Shakespeare, Blackface and Race: Different Perspectives. Cambridge: Cambridge University Press.en
dc.referencesKettler, Andrew (2020). The Smell of Slavery: Olfactory Racism and the Atlantic World. Cambridge: Cambridge University Press.en
dc.referencesSokolova, Boika and Janice Valls-Russell (forthcoming 2021). Shakespeare’s Others in 21st-century European Performance: Othello and The Merchant of Venice (provisional title). London: Bloomsbury Arden.en
dc.referencesThompson, Ayanna (forthcoming 2021a). Blackface. London: Bloomsbury Arden.en
dc.referencesThompson, Ayanna, ed. (forthcoming 2021b). The Cambridge Companion to Shakespeare and Race. Cambridge: Cambridge University Press.en
dc.contributor.authorEmailHeijes, Coen - c.p.a.heijes@rug.nl
dc.contributor.authorEmailThompson, Ayanna - Ayanna.Thompson@asu.edu
dc.identifier.doi10.18778/2083-8530.22.01
dc.relation.volume22


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