Etnologiczna interpretacja symboliki zła w filmie Wernera Herzoga Nosferatu wampir

Abstract

This article is an attempt to interpret the film Nosferatu by Werner Herzog in terms of symbolic anthropology. Through the use of Jungian amplification procedures and the theory of symbols developed by phenomenology and hermeneutics author tries to explain the symbolic references contained in the film, and show how the symbols help to understand each other within a single text of culture.