Shakespeare in Digital Games and Virtual Worlds

Timplalexi, Eleni

dc.contributor.author	Timplalexi, Eleni	en
dc.date.accessioned	2019-01-22T11:20:52Z
dc.date.available	2019-01-22T11:20:52Z
dc.date.issued	2019-01-03	en
dc.identifier.issn	2083-8530	en
dc.identifier.uri	http://hdl.handle.net/11089/26578
dc.description.abstract	The article attempts first to introduce the reader to the deeper needs that gave rise to animation, a fundamental aspect of digital gaming and virtual worlds. It then tries to illuminate the various facets of digital performance and gaming, especially in relation to Shakespeare-themed and inspired digital games and virtual worlds, by putting forward some axes of classification. Finally, it both suggests some ideas that may be of use in rendering the Shakespeare gaming experience more “complete” and “theatrical” and ends by acknowledging the immense potential for the exploration of theatricality and performativity in digital games and virtual worlds.	en
dc.publisher	Lodz University Press	en
dc.relation.ispartofseries	Multicultural Shakespeare;18	en
dc.rights	This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.	en
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0	en
dc.subject	Shakespeare	en
dc.subject	digital games	en
dc.subject	virtual worlds	en
dc.subject	media and performance	en
dc.subject	computers and theatre	en
dc.title	Shakespeare in Digital Games and Virtual Worlds	en
dc.page.number	129-144	en
dc.contributor.authorAffiliation	Department of Communication & Media Studies, University of Athens, Greece	en
dc.identifier.eissn	2300-7605
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dc.identifier.doi	10.18778/2083-8530.18.09	en

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