dc.contributor.author | Kajda, Kornelia | |
dc.contributor.author | Frąckowiak, Maksymilian | |
dc.date.accessioned | 2018-07-24T13:31:35Z | |
dc.date.available | 2018-07-24T13:31:35Z | |
dc.date.issued | 2017 | |
dc.identifier.issn | 0208-6034 | |
dc.identifier.uri | http://hdl.handle.net/11089/25369 | |
dc.description.abstract | Writing, signing and carving names in public spaces are popular ways of indicating somebody’s presence in the world. Various inscriptions made in different places have been appearing from the ancient times until today. There are multiple motivations for such practice: a simple signing to indicate somebody’s presence, a declaration of sympathy or antipathy to some idea or person or political manifests and encouragement to engage in some actions. Despite the popularity of such phenomenon and its long duration, archaeologists, especially those involved in studying the recent or contemporary past, are not particularly focused on researching this source of knowledge. Most of the academic works which concern inscriptions and graffiti are conducted by sociologists or visual culture specialists. However, these sources may be truly significant in studying microhistories of the places and people. Thus, in our article we want to present a unique potential of graffiti in the studies related to the recent and contemporary past.The aim of our article is to show various spatial contexts in which graffiti may be encountered and to present how the archaeology of the contemporary past may take advantage of researching such inscriptions. After Laurent Olivier (2001), we think that discovering the local past is a characteristic feature of the archaeology of the contemporary past and our article aims to show how the specific “being” of graffiti around us may contribute to discovering the microhistories of people and places.According to Michael Bell’s concept (1997), we interpret graffiti as “the ghosts of place” which indicate the presence of those who are no longer in the place. Due to the breadth of topics connected with graffiti, we decided to focus on those inscriptions which manifest someone’s presence in the place, narrowing our studies only to its written form (not graphic). | en_GB |
dc.language.iso | pl | pl_PL |
dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
dc.relation.ispartofseries | Acta Universitatis Lodziensis. Folia Archaeologica;32 | |
dc.subject | inscription | en_GB |
dc.subject | carvings | en_GB |
dc.subject | graffiti | en_GB |
dc.subject | archaeology of the recent past | en_GB |
dc.subject | memory | en_GB |
dc.subject | napisy | pl_PL |
dc.subject | ryty | pl_PL |
dc.subject | graffiti | pl_PL |
dc.subject | archeologia niedawnej (współczesnej) przeszłości | pl_PL |
dc.subject | pamięć | pl_PL |
dc.title | Duchy miejsca – napisy (graffiti) w przestrzeniach publicznych i prywatnych jako przedmiot badań archeologii współczesnej przeszłości | pl_PL |
dc.title.alternative | The Ghosts of Places – Inscriptions in the Public and Private Spaces as a Research Material for the Archaeology of the Contemporary Past | en_GB |
dc.type | Article | pl_PL |
dc.rights.holder | © Copyright by Authors, Łódź 2017; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2017 | pl_PL |
dc.page.number | 345-363 | |
dc.contributor.authorAffiliation | Instytut Archeologii, Uniwersytet im. Adama Mickiewicza w Poznaniu, ul. Umultowska 89D, 61–614 Poznań | |
dc.contributor.authorAffiliation | Pracownia Badań Historycznych i Archeologicznych „Pomost”, ul. Kłuszyńska 20/26, 60–136 Poznań | |
dc.identifier.eissn | 2449-8300 | |
dc.references | Aleksijewicz S. (2015), Cynkowi chłopcy, Czarne, Wołowiec. | pl_PL |
dc.references | Baird J.A., Taylor C. (red.) (2010), Ancient graffiti in context, Routledge, London. | pl_PL |
dc.references | Bell M. (1997), The Ghosts of Place, „Theory and Society”, t. 26, s. 813–836. | pl_PL |
dc.references | Bystroń J. (1980), Tematy, które mi odradzano. Pisma etnograficzne rozproszone, oprac. L. Stomma, PIW, Warszawa. | pl_PL |
dc.references | Cyra A. (2006), Pozostał po nich ślad…, Państwowe Muzeum Auschwitz-Birkenau, Oświęcim. | pl_PL |
dc.references | Drozdowski R. (2007), Obraza na obrazy. Strategie społecznego oporu wobec obrazów dominujących, Zysk i S-ka, Poznań. | pl_PL |
dc.references | Frąckowiak M. (2009), Historia na drzewach zapisana. Przyczynek do poznania dziejów MRU na podstawie napisów zachowanych na bukach w pobliżu Chyciny, [w:] B. Mykietów, M. Tureczek (red.), Ziemia Międzyrzecka w przeszłości, t. 7, Muzeum w Międzyrzeczu, Międzyrzecz, s. 143–150. | pl_PL |
dc.references | Frederick U.K. (2009), Revolution is the new black: graffiti/art and mark-making practices, „Archaeologies”, t. 5(2), s. 210–227. | pl_PL |
dc.references | Graves-Brown P., Schofield J. (2011), The filth and the fury: 6 Denmark Street (London) and the Sex Pistols, „Antiquity”, t. 85(330), s. 1385–1401. | pl_PL |
dc.references | Kobiałka D., Frąckowiak M., Kajda K. (2015), Tree memories of the Second World War: a case study of common beeches from Chycina, Poland, „Antiquity”, t. 89(345), s. 683–696. | pl_PL |
dc.references | Merril S.O.C., Hack H. (2013), Exploring hidden narratives: conscript graffiti at the former military base ‘Kummersdorf’, „Journal of Social Archaeology”, t. 13(1), s. 101–21. | pl_PL |
dc.references | Olivier L. (2001), The archaeology of the contemporary past, [w:] V. Buchli, G. Lucas (red.), Archaeologies of the contemporary past, Routledge, London, s. 175–188. | pl_PL |
dc.references | Oliver J., Neal T. (2010), Elbow grease and time to spare: the place of tree carving, [w:] J. Oliver, T. Neal (red.), Wild Signs: Graffiti in Archaeology and History (. | pl_PL |
dc.references | BAR International Series), Oxford , s. 15–22. | pl_PL |
dc.references | Osika G. (2008), Grafitti – znaki miasta, „Zeszyty Naukowe Politechniki Śląskiej” t. 43, s. 125–146. | pl_PL |
dc.references | Ouzman S. (2010), Graffiti as art(e)fact: a contemporary archaeology. Wykład wygłoszony podczas University of Johannesburg Sociology, Anthropology and Development Seminar, Johannesburg, 10 marca 2010, https://www.uj.ac.za/faculties/ humanities/sociology/Seminars/2010/Ouzman%202010%20Graffiti.pdf (dostęp: 4.11.2016). | pl_PL |
dc.references | Pietkiewicz A. (2011), Street art – komunikacja masowego rażenia. Szkice o graffiti, stencilach i stickerach, „Ikonosfera. Studia z socjologii i antropologii obrazu”, t. 3, s. 63, http://www.ikonosfera.umk.pl/fileadmin/pliki/Ikonosfera_3_Aleksander_Pietkiewicz_Street_art.pdf (dostęp: 10.11.2016). | pl_PL |
dc.references | Ralph J. (2014), Graffiti Archaeology, [w:] C. Smith (red.), Encyclopedia of Global Archaeology, Springer, New York, s. 3102–3107. | pl_PL |
dc.references | Rosadziński L. (2014), Poszukiwacz, czyli niezwykli ludzie i stare książki, Rosa Dom Różności, Poznań. | pl_PL |
dc.references | Rowiński R. (1968), Południk 15. Reportaże, Wydawnictwo Poznańskie, Poznań, s. 5–11. | pl_PL |
dc.references | Rybchinsky Y. (2006), Photoestafeta from Rodchenko to our days. Pages of history of Soviet and contemporary Russian photography, Moskiewski Dom Fotografii, Moskwa. | pl_PL |
dc.references | Sienkiewicz H. (2000), Listy z podróży do Ameryki, Most, Warszawa. | pl_PL |
dc.references | Straszyńska A. (2015), Strzelecka 8, „Odkrywca”, t. 11(202), s. 26–31. | pl_PL |
dc.references | Straszyńska A. (2016), Willa Jasny Dom, „Odkrywca”, t. 4(207), s. 30–35. | pl_PL |
dc.contributor.authorEmail | kornelia.kajda@gmail.com | |
dc.contributor.authorEmail | maksymilian.frackowiak@gmail.com | |
dc.identifier.doi | 10.18778/0208-6034.32.14 | |