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„Čovjek nije nego glumac na sceni svijeta”. O dramatach Mira Gavrana
(Piktor, 2009)
Этот прием осуществляется с применением техники „театра в театре” (Антигона Креона, Ночь богов, Пациент доктора Фрейда и др.) и с моделированием межчеловеческих отношений по правилам игры: лжи и обмана, обмена ролями, ...
Stereotypizacja Słowiańszczyzny południowej w polskim dyskursie publicznym III Rzeczypospolitej (po 1989 roku)
(Piktor, 2009)
The picture of the southern Slavic countries in the Polish public discourse after the year 1989, following the tendencies characteristic for the Euro-Atlantic discourse, became completely dominated by the context of the ...
В света на абсурда и извън него в пиесите на Христо Бойчев
(Piktor, 2009)
Предложенные в статье наблюдения касаются наиболее представительных драматических произведений Христо Бойчева – Оркестър „Титаник” и Полковникът птица, которые ставятся как на болгарской театральной сцене, так и в других ...
„Odczytywanie Gavrana” – o recepcji dramaturgii Mira Gavrana w Polsce
(Piktor, 2009)
Miro Gavran, an acknowledged Croatian playwright of the middle generation, has returned with his comedy repertoire to Polish theatres at the beginning of this century. In Poland in the 90ties he presented himself as an ...
„Задушница” от а. Мицкевич на сцената на Народния театър, Cофия, 1937 г.
(Piktor, 2009)
Bulgaria was the second country after Poland in which Miczkiewicz’s dramatic poem Dziady, an especially great challenge for staging, was presented in a theatre. This was in 1937 in the National Theatre in Sofia, under the ...
Muzičke obrade teme „Nečiste krvi” Borisava Stankovića u Narodnom pozorištu u Beogradu
(Piktor, 2009)
Synchronous interest of different artists in the subject of the Impure Blood by Borisav Stanković points that this classical novel gains new importance in our times, revoked after more then three decades since the last ...
„Dobrodošli u rat!” Davora Špišicia. Apokalipsa w dobie kryzysu
(Piktor, 2009)
The aim of this article is to discuss Davor Špišić’s play Dobrodošli u rat. By means of allusion to the genre of science fiction and to George Miller’s cinematographic creation Mad Max, the author defines the shape of the ...
Kilka uwag tłumacza o sztuce przekładu dramatów
(Piktor, 2009)
An interpreter always seeks and rediscovers the meaning of words, „refreshes” them continuously verifying whether they express their author’s original intention. An interpreter working with a piece of art experiences its ...
Motiv Edipa u srpskoj dramskoj književnosti
(Piktor, 2009)
The myth about Oedipus is one of the most popular subjects, not just in Greek literature, but in the whole world literature from the classical period to these days. The motive about incest (between mother and son) is popular ...