Gra z konwencją literatury dokumentu w powieści Hanny Sokołowskiej „Kosa, czyli ballada kryminalna o Nowej Hucie”

Abstract

Looking for new sources of inspiration, authors of crime stories begin to combine literary fiction with historical facts. Thanks to that they create quasi-documentary narratives in which crime serves as a pretext to show historical settings (in Hanna Sokołowska’s novel the setting are the 1970s). This way the reader can be culturally embedded in “post-memory.”