Ophelia and the Perils of the Sacred Feminine

Busato Smith, Cristiano

dc.contributor.author	Busato Smith, Cristiano
dc.date.accessioned	2013-04-09T09:51:16Z
dc.date.available	2013-04-09T09:51:16Z
dc.date.issued	2010
dc.identifier.isbn	978-83-7525-477-8
dc.identifier.issn	2083-8530
dc.identifier.uri	http://hdl.handle.net/11089/1502
dc.language.iso	en	en
dc.publisher	Lodz University Press	en
dc.relation.ispartofseries	Multicultural Shakespeare: Translation, Appropriation and Performance;6/7
dc.rights	Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/pl/	*
dc.title	Ophelia and the Perils of the Sacred Feminine	en
dc.type	Article	en
dc.page.number	135-145
dc.references	Altick, Richard D. Paintings from Books: Art and Literature in Britain 1760-1900. Columbus: Ohio State University Press, 1985.
dc.references	Bradley, A. C. Shakespearean Tragedy. Lectures on Hamlet, Othello, King Lear, Macbeth. New Delhi: Atlantic Publishers and Distributors, 2000.
dc.references	Bronfen, Elisabeth. Over Her Dead Body. Manchester: Manchester University, 1996.
dc.references	Chapman, Alison A. “‘Ophelia’s Old Lauds’: Madness and Hagiography in Hamlet.” Medieval and Rennaissance Drama in England. Ed. S. P. Cerasano. Cranbury: Associated University Press, 2007.
dc.references	Clement, Catherine and Julia Kristeva. The Feminine and the Sacred. Trans. Jane Marie Todd. New York: Columbia University Press, 2001.
dc.references	Dijkstra, Bram. Idols of Perversity: Fantasies of Feminine Evil in Fin-de Siecle Culture. New York: Oxford University Press, 1986.
dc.references	Foucault, Michel. Discipline and Punish: The Birth of the Prison. Trans. Alan Sheridan. New York: Vintage, 1985.
dc.references	Girard, Rene. Violence and the Sacred. Trans. Patrick Gregory. Baltimore: John Hopkins University Press, 1979.
dc.references	Guilfoyle, Cherrell. “‘Ower Swete Sokor’: The Role of Ophelia.” Comparative Drama 14:1 (1980: Spring): 3-17.
dc.references	Jameson, Anna. Shakspeare’s Heroines: characteristics of women, moral, poetical and historical. London: George Bell and Sons, 1891.
dc.references	Kiefer, Carol Salomon. The Myth and Madness of Ophelia. Amherst: Thames Printing Co. Inc., 2001.
dc.references	Neely, Carol Thomas. “Power and Virginity in All is Well that Ends Well.” Broken Nuptials in Shakespeare’s plays. New Haven: Yale University Press, 1985. 58-104.
dc.references	Peterson, Kaara. “Framing Ophelia: Representation and the Pictorial Tradition.” Winnipeg: Mosaic 31.3 (1998): 1-24.
dc.references	Poe, Edgar Allan. “The Philosophy of Composition.” The Norton Anthology of American Literature, Volume B: 1820-1865. Ed. Nina Bayam. New York and London: W. W. Norton, 1998. 1597-1605.
dc.references	Pollock, Griselda and Deborah Cherry. Vision and Difference. London: Routledge, 2003.
dc.references	Shakespeare, William. Hamlet. Ed. Harold Jenkins. Walton-on-Thames Surrey: Arden, 1982. 165-375.
dc.references	Shakespeare, William. Titus Andronicus. Ed. Jonathan Bate. London: The Arden Shakespeare, 2002.
dc.references	Showalter, Elaine. “Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism.” Shakespeare and the Question of Theory. Eds. Patricia Parker and Geoffrey Hartmann. New York: Routledge, 1993. 77-94.
dc.references	Vest, James M. The French Face of Ophelia from Belleforest to Baudelaire. Lanham: University Press of America, 1989.

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