Jorie Graham’s Sea Change (2008) addresses the environmental crisis engendered by climate change, sending us a dire warning of the end of humanity by featuring an apocalyptic world. Sea Change gives a poetic voice to the ...

The paper analyzes selections from Modern Review and Visva Bharati Quarterly, to study the complex act of nation-building taking place in India during the first half of the twentieth century. Through these periodicals, it ...

Clark Coolidge (1939–) is often connected with language poetry and the New York School. The language of his poetry is opaque and disjunctive, like that of the artists associated with the first group, but it is also energetic, ...

The focus of my inquiry are environmentally inflected metaphors and discourses of toxicity which inform the contemporary North American posthuman lyric. This provisional generic category of the posthuman lyric has been ...

The music video for Harry Styles’s 2022 track “Music for a Sushi Restaurant” (directed by Aube Perrie) provides a surprising representation of the pop star (arguably at the peak of his career) appearing as a cecaelia (a ...

The present article applies Judith Butler’s notion of “grievable life” to reflect on the manner in which selected US-American television series engaged in the work of mourning and memorializing the loss of life in the first ...

The following article explores the creative collaborative practices in digital poetry between more-than-human agents. Richard A. Carter’s artistic project Waveform (2017–) makes one reconsider the ways in which multimodal ...

Bringing together insights originating in law studies and art analysis, this article approaches the work of the US-based Syrian artist Lara Haddad through the figuration of “interior frontiers,” exposing how both “interior ...

James Joyce’s neologism “debths” (Finnegans Wake) that Susan Howe elects for the title of her 2017 volume of poetry points to at least three semantic coordinates of “obligation,” “trespass,” and “demise,” never—due to its ...