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  • Multicultural Shakespeare: Translation, Appropriation and Performance
  • Multicultural Shakespeare: Translation, Appropriation and Performance (2017) vol. 16
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  • Czasopisma naukowe | Scientific Journals
  • Multicultural Shakespeare: Translation, Appropriation and Performance
  • Multicultural Shakespeare: Translation, Appropriation and Performance (2017) vol. 16
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AuthorKahn, Lily (2)Minier, Márta (2)Berjaga, Vanessa Palomo (1)Chen, Xing (1)Georgopoulou, Xenia (1)Hao, Tianhu (1)Keinänen, Nely (1)Lacroix, Mylène (1)Lorenzo-Modia, María Jesús (1)Moe, Marija Zlatnar (1)... View MoreSubjectShakespeare (4)Hamlet (3)adaptation (2)drama translation (2)reception (2)retranslation (2)translation (2)(un)translatability (1)Anfòs Par (1)Bible (1)... View MoreDate Issued2017 (11)Has File(s)Yes (11)

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The Fifth Slovene Hamlet: Return to Tradition? 

Moe, Marija Zlatnar (Lodz University Press, 2017-12-29)
Over the nearly two centuries that Hamlet has been a fixture of the Slovene cultural firmament, the complete text has been translated five times, mostly by highly esteemed figures of Slovene literature and literary ...
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Book Reviews 

Chen, Xing; Hao, Tianhu; Wu, Xiaoling (Lodz University Press, 2017-12-29)
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Theatre Reviews 

Nikolić, Zorica Bečanović; Georgopoulou, Xenia (Lodz University Press, 2017-12-29)
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A Turning Point in the Translation of Shakespeare into Catalan: The Case of Josep M. De Sagarra’s Macbeth 

Berjaga, Vanessa Palomo (Lodz University Press, 2017-12-29)
Josep Maria de Sagarra translated twenty-eight of Shakespeare’s plays into Catalan in the early forties, at a time when Catalan language and culture were suffering severe repression due to Franco’s regime. The manuscript ...
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Introduction: (Re)Translations: Diachronic and Synchronic Perspectives on Giving New Voice to Shakespeare 

Minier, Márta; Kahn, Lily (Lodz University Press, 2017-12-29)
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Three Translators in Search of an Author: Linguistic Strategies and Language Models in the (Re)translation of Shakespeare’s Plays into Catalan 

Pujol, Dídac (Lodz University Press, 2017-12-29)
This article shows how the language of Shakespeare’s plays has been rendered into Catalan in three especially significant periods: the late 19th century, the early 20th century, and the late 20th and early 21st centuries. ...
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Questioning the ‘of’ in Performance-as-translation: Multimedia as a Subtext in the 2003 Pécs Performance ‘of’ Hamlet 

Minier, Márta (Lodz University Press, 2017-12-29)
This article explores a theatre performance (National Theatre Pécs, 2003, dir. Iván Hargitai) working with a 1999 Hungarian translation of Hamlet by educator, scholar, translator and poet Ádám Nádasdy as a structural ...
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Canons and Heroes: The Reception of the Complete Works Translation Project in Finland, 2002-13 

Keinänen, Nely (Lodz University Press, 2017-12-29)
This essay examines the reception of the ten-year Complete Works translation project undertaken by the Finnish publishing company Werner Söderström Oy (WSOY) in 2004-13. Focusing on reviews published in the first and last ...
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The Book of Ruth and Song of Songs in the First Hebrew Translation of The Taming of the Shrew 

Kahn, Lily (Lodz University Press, 2017-12-29)
This article investigates the earliest Hebrew rendition of a Shakespearean comedy, Judah Elkind’s מוסר סוררה musar sorera ‘The Education of the Rebellious Woman’ (The Taming of the Shrew), which was translated directly ...
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“Gallia and Gaul, French and Welsh” (MWW, 3.1.89): Transposing Shakespeare’s ‘Favourite’ Foreign Accents into French 

Lacroix, Mylène (Lodz University Press, 2017-12-29)
The Merry Wives of Windsor has long been compared to a great babel of languages. The play contains a smattering of Spanish, Italian and Dutch and even a whole scene dedicated to the mistranslation of Latin. A large part ...
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