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The Ambiguous Identity of a Dog as a Mongrelized Storyteller in John Berger's King (1999) 

Leleń, Halszka (Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2015)
The dog named King, the central character and narrator of John Berger’s “King” published in 1999, is the offshoot of many apparently incongruent genre conventions as well as the offspring of the ambivalent prejudice and ...
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A review of Emma Wilby’s The Visions of Isobel Gowdie: Magic, Witchcraft and Dark Shamanism in Seventeenth-Century Scotland (Sussex University Press, 2010) 

Spyra, Piotr (Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2015)
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Laying Bare: Agamben, Chandler, and The Responsibility to Protect 

Quigley, Gabriel (Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2015)
This paper demonstrates the hidden similarities between Raymond Chandler’s prototypical noir The Big Sleep, and the United Nations Responsibility to Protect (R2P) document. By taking up the work of philosopher Giorgio ...
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Subverting the Gaze, Seducing with the Bible: A Study of Oscar Wilde's Salomé 

Dąbrowska, Justyna (Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2014)
The present article engages with the eponymous character of Oscar Wilde’s Salomé and focuses on her subversion of the patriarchal rules, and on her attempts at seducing the prophet Jokanaan. Wilde’s Salomé becomes “an ...
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The Power of Poetic Praxis in the Literature of Pat Mora and Ana Castillo 

Graf, Amara (Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2015)
Chicana literary work is predominantly characterized by poetry. Lyrical poetic phrases are interwoven into Chicanas’ short stories, novels, theoretical, and critical essays. Why poetry? What is distinct about poetry as ...
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Intertextuality of C.S. Lewis’ The Last Battle 

Zegarlińska, Magdalena (Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2014)
The Chronicles of Narnia has an established position in the canon of children’s literature. However, what on the surface is a fairy tale involving adventures and magic; with children, kings, talking beasts, and wood ...
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“Reread me backwards”: Deciphering the Past in Elizabeth Bowen’s The Heat of the Day 

Johnson, Stephanie (Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2016)
Set during the midst of the London Blitz, Elizabeth Bowen’s The Heat of the Day revolves around a narrative of espionage, but unlike many novels from the spy genre, it refuses to disclose all of its secrets. Instead, the ...
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Whodunit to Irene Adler? From “the Woman” to “the Dominatrix” – on the Transformation of the Heroine in the Adapting Process and Her Representation in the Sherlock Miniseries 

Popłońska, Magdalena (Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2014)
One of the peculiar characteristics of the Sherlock Holmes fandom is that it has always had a tendency to blow innuendos in Arthur Conan Doyle’s stories out of proportion. One might argue that such is the case of Irene ...
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Intertextual Adaptability of the Character of Sherlock Holmes from Literature to Film Production 

Paśnik, Martyna (Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2014)
This study explores the theme of intertextuality and adaptation between literature and film on the basis of Sherlock Holmes, the 19th/20th-century character conceived by Arthur Conan Doyle. It shows how the character has ...
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Retelling Orpheus: Orpheus in the Renaissance 

Beattie, Laura I. H. (Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2014)
This paper examines the importance of the Orpheus myth during the English Renaissance. The Orpheus myth was one of the most common mythic intertexts of the period due to the fact that we could see the very story of Orpheus ...
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