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  • Multicultural Shakespeare: Translation, Appropriation and Performance
  • Multicultural Shakespeare: Translation, Appropriation and Performance (2017) vol. 15
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  • Multicultural Shakespeare: Translation, Appropriation and Performance
  • Multicultural Shakespeare: Translation, Appropriation and Performance (2017) vol. 15
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AuthorPanjwani, Varsha (2)Sawyer, Robert (2)Byington, Danielle Nicole (1)Calbi, Maurizio (1)Ciraulo, Darlena (1)Desmet, Christy (1)González, José Manuel (1)Hansen, Adam (1)Henderson, Diana E. (1)Kullmann, Thomas (1)... View MoreSubjectShakespeare (5)Hamlet (4)commemoration (2)A Midsummer’s Night Dream (1)adaptation (1)Al-Bassam (1)All God’s Chillun Got Wings. “Ol’ Man River” (1)Archive (1)aristocracy (1)audience participation (1)... View MoreDate Issued2017 (14)Has File(s)Yes (14)

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Not Minding the Gap: Intercultural Shakespeare in Britain 

Panjwani, Varsha (Lodz University Press, 2017-10-07)
The article takes issue with the perceived space/gap between the multiple identities of mixed-heritage groups, as most of these people often pick and choose elements from all of their identities and amalgamate them into a ...
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Remote Islands as Fictional and Metaphorical Places in Cervantes, Fletcher and Shakespeare 

González, José Manuel (Lodz University Press, 2017-10-07)
Islands have always occupied a significant place in literature and have been a source of inspiration for the literary imagination. Fictional islands have existed as either lost paradises, or places where law breaks down ...
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Import/Export: Trafficking in Cross-Cultural Shakespearean Spaces 

Desmet, Christy (Lodz University Press, 2017-10-07)
This essay examines the phenomenon of cross-cultural Shakespearean “traffic” as an import/export “business” by analyzing the usefulness of the concept cross-cultural through a series of theoretical binaries: Global vs. ...
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Performing Protest in Cross-Cultural Spaces: Paul Robeson and Othello 

Sawyer, Robert (Lodz University Press, 2017-10-07)
When the famous African-American actor and singer Paul Robeson played the lead in Shakespeare’s Othello in London in 1930, tickets were in high demand during the production’s first week. The critical response, however, was ...
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Dehierarchizing Space: Performer-Audience Collaborations in Two Portuguese Performances of Shakespeare 

Rayner, Francesca (Lodz University Press, 2017-10-07)
This article addresses the key role of performance space in mediating between cultural locations. It discusses two Portuguese performances of Shakespeare where audiences were invited to become part of the performance and ...
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Teatro Praga’s Omission of Shakespeare – An Intercultural Space 

Mendes, Maria Sequeira (Lodz University Press, 2017-10-07)
Teatro Praga’s (a Portuguese theatre company) adaptations of A Midsummer Night’s Dream and The Tempest omit what is usually considered crucial to a Shakespearean adaptation by giving primacy to neither text nor plot, nor ...
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Whose Castle is it Anyway?: Local/Global Negotiations of a Shakespearean Location 

Refskou, Anne Sophie (Lodz University Press, 2017-10-07)
Kronborg Castle in the Danish town of Elsinore is a location strongly associated with Shakespeare thanks to the setting of Hamlet. It is a place where fiction currently eclipses history, at least in the context of a cultural ...
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Introduction: Shakespeare in Cross-Cultural Spaces 

Sawyer, Robert; Panjwani, Varsha (Lodz University Press, 2017-10-07)
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Spaghetti Shakespeare: Johnny Hamlet and the Italian Western 

Ciraulo, Darlena (Lodz University Press, 2017-10-07)
The Italian Western, Johnny Hamlet (1968), directed by Enzo G. Castellari, draws on the revenge story of Shakespeare’s tragedy Hamlet for plot and characterization. While international distributors of the film downplayed ...
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The Merchant in Venice: Shylock’s Unheimlich Return 

Henderson, Diana E. (Lodz University Press, 2017-10-07)
The first decades of the new millennium have seen an odd return to origins in Shakespeare studies. The Merchant in Venice, a site-specific theatrical production realized during the 500th anniversary year of the “original” ...
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